each with flaring neck above a tapering body all in a vibrant chartreuse-yellow crackle glaze; resting on a custom giltwood base; no chips or cracks, rewired
impressive size and color, the large apple-green glazed lamp raised on a brushed antiqued brass base; good vintage condition with minor overall wear; rewired
an exceptionally rare size, this Murano glass lamp using the Sommerso technique of layered colored glass; excellent vintage condition with no chips or cracks; rewired
fitted with an octagonal flared brass cap above a conforming burlwood body resting on a brass base; good vintage condition with overall even wear and patina; rewired
the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired
each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks
each of cylindrical fluted form all in a rich drip glaze of blues and greens on a celadon ground; excellent condition with no chips or cracks; rewired, lampshades as is
each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface
with long cylindrical neck above a spherical body all in an ivory crater-glaze finish; good vintage condition with minor overall wear; Jaru Art Products began in 1950 by Jack and Ruth Hirsh in Culver City, Calif. The name is a combination of the first two letters of their first names (Ja and ru). Jaru sold artwares by various artists then later created its own line. Most pieces were marked with a simple paper sticker, although some have an impressed mark. Jaru was sold in 1968.
of cornucopia form with flared candle holder tapering to a scrolled end; adorned with florets and acanthus leaves all over a later ebonized wooden plinth; ex-collection of Michael Taylor, San Francisco; later plinth; overall patina and wear; refreshed gilding
