each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is

the square faux grained top resting on a corinthian capital base with egg-and-dart molding above a ring of protruding acanthus leaves; patination to surface; restored condition.

Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim

the square upholstered seat with a low out-scrolled openwork backrest; all above an undulating apron raised on tassels; overall even wear and patina to re-gilded surface; newly upholstered 

the rectangular top centering bookmatched Kingwood veneer within a walnut border; over a conforming apron fitted with a single drawer with similar veneer all raised on graceful splayed legs joined by a lower shelf; excellent antique condition; professionally restored 

the large desk with hand-tooled embossed leather writing surface above a paneled case finished with five drawers on front and back; the sides fitted with slide out writing areas with conforming leather tops; raised on shapely cabriole legs; excellent antique condition with professional repairs to include refreshed leather and refinished surface; areas of wear and patina to leather 

these elegant barrel-form lamps with ribbed perimeter bands adorned overall with refined opposing floral and foliate vines; raised on giltwood bases; rewired, no chips or cracks; bases re-gilded; minor rubbing to gilt decoration

the delicately beaded frame emanating 6 scrolled arms; adorned overall with crystal pendants and swags; excellent condition; cleaned and rewired

the richly-patinated bust of a young boy with serene direct gaze and short cropped hair; raised on a green marble plinth; excellent condition.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.

milos series – watercolor on paper 2000-2013; a series inspired by the legendary greek island, milos, with a ‘kaleidoscope of minerals, colors and water caves’.  san francisco painter, william stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “i have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to

each hand-painted urn adorned overall with an abundance of flowers and opposing song birds; excellent vintage condition with minor wear; one with small chip to underside

unusually large with a scavo (acid) finish in a golden hue; acid etched signature to underside with original label

of graceful form with double-baluster support above a ribbed bowl emanating six S-shaped arms supporting ribbed bobeches; with acid-etched signature to bowl; excellent condition with no chips or cracks; re-wired for US voltage

the pastoral setting depicting three grazing cows in a lush green field below billowing clouds; signed 'A J Groenewegen' lower left

the moody painting depicting a London bus stop in the rain; painted in the impasto style with a layered painted surface created with thick knife strokes in colors of blue and purple; signed lower left; with title and signature on reverse; some wear to original frame

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."

Each of cylindrical form covered in a pale green leather fitted with brass spheres all over a canted base; excellent vintage condition with minor wear to surface; rewired

this life-sized rabbit made of polished aluminum with brass feet and carnelian stone eyes; the top half is a hinged lid; stamped signature 'Arthur Court 1986'

this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals