each with brass fittings and of conical form above a square plinth with harlequin pattern of vertically arranged contrasting diamonds all on an ivory ground with gilt flecking; good vintage condition with minor wear and patina; rewired; height: 14.5" (top of porcelain)  23.5" (top of shade) width: 4.5"  depth: 4.5"

the large square inset glass top in a polished nickel and patinated brass frame raised on quadrangular supports joined by a lower glass shelf; excellent vintage condition with overall even wear and patina; signed 'Jean Charles"; Jean Charles Furniture produced a wide range of furniture in Paris over the last century closing in the late 1980`s. Jean Charles furniture appears consistently stamped with a logo of `JC` followed by `Jean Charles`.

surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface

the Calacatta Viola marble top with bowed front and concave sides inset within an ogee molded edge; over a deep apron with rocaille and acanthus carving; raised on cabriole supports with similar rocaille and acanthus decoration with cascading bell flowers all ending in foliate carved feet; joined by an x-form stretcher of alternating C-scrolls culminating in a lively rocaille carved flourish; good antique condition with overall wear and patina with minor chipping; small areas of refreshed gilding; some discoloration to original top with old repair to one corner 

each tall lamp composed of a baluster stem above three graduated lotus leaf cups interspersed with giltwood dividers; all raised on a giltwood base; excellent vintage condition with no chips or cracks; rewired

possibly French; each of double-gourd form with applied floral and foliate vines raised on a white painted wooden base; both lamps have scattered losses; minor wear painted wooden bases; professionally rewired

the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition

the die in solid laminated mahogany for the manufacture of a child's toy pedal car (metal would be wrapped around this die and steering wheel attached later)

the square-form flared opening above a slightly-bulbous body carved in opaque with an undersea nude male figure playing a harp surrounded by bubbles; for illustration of an example of this vase Glas in Schweden; 1915-1960, Prestal-Verlag, Munich, 1986

each with upholstered back and seat flanked by birch sides with ebonized S-scrolled arm rests and supports; excellent restored condition with new upholstery; some wear to wooden surface

each lidded double-handled urn adorned with cascading hand-painted bell flower garlands all raised on brass bases; good vintage condition with no chips or cracks; professionally rewired; minor overall wear  

the tall ribbed lamp of sea-foam green art glass with controlled bubbles; excellent condition with no chips or cracks; rewired

this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals

each of elegant ovoid form adorned with finely articulated floral stems and grotto foliage; excellent condition with a few professionally repaired tips; stamped 'made in france' for the export market

each tall urn with rolled lip above a flared body and lobed mid-section; raised on a splayed base; overall even weathered and oxidized surface

having curved front with five inlaid doors, all raised on turned and flared feet with brass terminals; the center door opens to reveal sycamore-veneered drawers; the right door opens to reveal a mirrored and glass bar compartment;  excellent condition
 

the square upholstered seat with a low out-scrolled openwork backrest; all above an undulating apron raised on tassels; overall even wear and patina to re-gilded surface; newly upholstered 

the gilt-metal frame emanating 6 scrolling arms; adorned overall with 3 crystal obelisks and multiple pendants; excellent condition

each large-scaled bottle-form lamp consisting of overlapping leaves all in a white glaze; good vintage condition with minor firing cracks; re-wired

minor wear to honed surface; new wiring; shade as is; French wired

each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired

the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear

the richly patinated solid cherrywood rectangular top with canted corners above a conforming base raised on four boldly scrolled openwork trestle supports all joined by a cross stretcher; excellent condition.