Milos Series – watercolor on paper 2000-2013; A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.  San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.

Milos 2006 no. 24, Watercolor On Paper By William Stanisich, San Francisco presented by epoca.  A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”

Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895. 

each openwork sconce with flaring top, waisted mid-section and graceful upturned arms with turned wooden candlecups; minor overall wear

each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)

great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired

each cylindrical cased glass lamp adorned with a gold and white harlequin pattern appearing to float above the silver ground; good vintage condition with minor rubbing to surface; no chips or cracks

Each with incurved padded back joining padded arms; raised on curved upright supports above a tight seat; all raised on splayed legs; excellent vintage condition with new deep brown lacquered finish and upholstery

Each of baluster form in the Chinese taste adorned with raised floral vines; resting on a pierced gilt metal base; made by the prominent Frederick Cooper Lamp Company, Chicago; excellent condition with no chips or cracks, rewired.

Each tall lamp with striking drip glaze in deep greens and blues; raised on a brushed brass base; rewired; good vintage condition with no chips or cracks

each good quality and solidly built mahogany cabinet fitted with sliding doors with perimeter band inlay opening to reveal multiple oak drawers and retractable tie rack; each labeled 'Johnson Furniture Company, Grand Rapids, Michigan'; excellent vintage condition and professionally refinished 

Each large lamp with deep earthtone drip glaze in colors of ochre, brown and umber; all raised on a brown painted metal base; excellent vintage condition with no chips or cracks; rewired.

each with brass fittings and of conical form above a square plinth with harlequin pattern of vertically arranged contrasting diamonds all on an ivory ground with gilt flecking; good vintage condition with minor wear and patina; rewired; height: 14.5" (top of porcelain)  23.5" (top of shade) width: 4.5"  depth: 4.5"

each column of Italian Carrara marble with raised perimeter band all over a stepped base adorned with gilt metal capitals and brass fittings at the base; good vintage condition with some chipping at the base; patina to marble and metal surfaces; rewired

each urn with egg-and-dart rim above a waisted neck over a lobed body raised on a splayed base; the urn resting on a separate graduated square plinth; good condition with nice weathered patina

each tall lamp of ovoid form with rich drip-glaze surface in colors of blue, green, yellow, sienna and brown; each resting on brown painted metal bases; excellent overall condition with only minor surface wear; rewired; bases re-painted

each with tall upholstered back above a loose cushion seat flanked by padded arms; all raised on turned supports with splayed legs at the rear; excellent restored condition with new upholstery

each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks

each large lamp of a soft amethyst art glass with controlled bubbles and silver aventurine; raised on a clear glass scalloped base; excellent condition with no chips or cracks; rewired

each with solid brass tilting barrel resting on a heavy-weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination

Each large ginger jar with subtle celadon drip glaze with fine craquelure to surface; raised on turned giltwood bases; rewired; good vintage condition 

great 1960's design each with iridescent orange glaze resting on brass bases; in excellent vintage condition with no chips or cracks; minor wear to glaze; rewired

console with silver and gold gilt eglomise mirrored panels; excellent restored condition

each with graceful incurved padded back above an openwork rail; the bowed seat raised on cabriole supports with splayed legs at the rear all joined by a turned H-stretcher; excellent restored condition with new upholstery