each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired

each column of Italian Carrara marble with raised perimeter band all over a stepped base adorned with gilt metal capitals and brass fittings at the base; good vintage condition with some chipping at the base; patina to marble and metal surfaces; rewired

each with leather saddle seat seeming to float above an ebonized wooden base with turned legs fitted with brass caps and feet; new tan leather upholstery; good vintage condition with minor marks and wear; The G Plan Story: G Plan can trace its roots back to 1898, when Ebenezer Gomme began handcrafting furniture in his workshop. In 1953, his grandson Donald launched the G Plan brand and with it a post-war furniture revolution. Over the years G Plan has created some of the most enduring and iconic furniture of the 20th century.

A handsome late Empire or early Biedermeier tall chest on chest in 2 sections with four drawers and double serpentine doors beneath a pedestal top; with beautiful book-matched flame or crotch mahogany veneer in a continuous pattern from the top to the bottom of the cabinet; with original brass key escutcheons; good antique condition; professionally refinished; overall even wear to surface

a rare example of Anglo-Persian furniture and a jewel of a table adorned overall with fine shell, brass and copper inlay including intricate khatam marquetry; good antique condition; professionally restored with some replacements to inlay; overall even wear and rich patina

each with exceptional copper repoussé plates depicting a finely-detailed bouquet of flowers, foliage and wheat sheaths (repeated on the back) all within a heavy bronze frame over a stepped plinth; professionally rewired; typical oxidation and wear.

the tall upholstered back with whimsical pierced crest centering a squirrel flanked by facing lions; with down-scrolled arms flanking a tight seat all raised on turned supports joined by double-baluster stretchers; good antique condition with new leather upholstery; professionally restored with some replacements 

with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate

the elegantly long rectangular cork top with flared ends raised on pierced splayed wooden supports; excellent condition; original design from 1948  

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

a good example of American Impressionism with its thickly applied paint capturing the shifting effect of light and color; Hugo Melville Fisher (1878-1946) was active in California and is best known for his seascape and marine paintings.  Born in Brooklyn, and the son of artist Hugo Anton Fisher, the Fisher family moved to Alameda, California in 1886.

Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane at the Art Students League in New York, he took up photography during World War II in Provincetown. His photographs were published by Time Magazine, the New York Times and the Associated Press. Seven of his photographs are included in the Smithsonian’s permanent collection.

each with curvaceous opening with pinched lip above a cup-shaped body attached to a loop handle; raised on a circular base; professional repair to handle and lip; some wear and fine crackling to glaze.

each with rectangular framed back above half-round padded arms emanating from lotus leaf carving; raised on well-carved winged sphinx heads above a bowed seat; all over quadrangular supports terminating in robust paw feet; restored; with later boar skin.

the marble top within a pierced gallery above a body fitted with 3 drawers flanked by fluted stiles raised on fluted legs; excellent restored condition.

each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.

this exuberantly rendered iron sculpture of a radiating super nova depicting the last stellar explosion of a star's life; excellent condition; oxidation to metal

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

the shaped lamp with slumped glass mirrored panels; the front panel with a Chinoiserie reverse-painted scene; all resting on a wooden base; good vintage condition with no chips or cracks; wear and patina to wooden surface; antiquing to silvering 

the shaped leather seat above a conforming frame adorned with carved rocaille and foliate motifs all raised on cabriole supports joined by an undulating stretcher; good antique condition; professionally refinished with new embossed leather upholstery

this classic design of aluminum construction with burgundy leather; original design from 1958, Eames Aluminum Group; 1980's; see '1000 chairs' by Charlotte and Peter Fiell pgs. 338-339; overall creasing and patina to leather with minor rubbing to metal

the Calacatta Viola marble top with bowed front and concave sides inset within an ogee molded edge; over a deep apron with rocaille and acanthus carving; raised on cabriole supports with similar rocaille and acanthus decoration with cascading bell flowers all ending in foliate carved feet; joined by an x-form stretcher of alternating C-scrolls culminating in a lively rocaille carved flourish; good antique condition with overall wear and patina with minor chipping; small areas of refreshed gilding; some discoloration to original top with old repair to one corner 

the square tea caddy with foil-lined interior; the exterior decorated with delightful gilt-lacquer chinoiserie scenes; minor overall wear; excellent antique condition