the rectangular top with canted corners raised on tapering quadrangular supports; veneered with mirrored plates with gold veining; overall good condition; top with one small chip to underside of glass 

each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired

each solid cabinet with bi-fold doors adorned with coffered panels opening to reveal 5 long drawers; excellent condition

the square faux grained top resting on a corinthian capital base with egg-and-dart molding above a ring of protruding acanthus leaves; patination to surface; restored condition.

the sturdy aluminum frame with adjustable back rest; raised on graceful splayed supports

the mirrored body fitted with 2 panelled doors; divided by gilt-wood banding; excellent restored condition with no chips or cracks

the thick ebonized gear wheel with cut teeth meant to mesh with another toothed wheel; fitted with a later mirror plate; good solid restored condition with small chips and age cracks to ebonized and waxed wooden surface; some replacements

the short flared neck above an elongated body tapering at the base; adorned overall with raised thistle branches in white glass on a coral ground; excellent condition; no chips or cracks; minor wear to underside, circa 1960's

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

each with an embossed leather box seat above an ash frame with plain frieze apron raised on faux bamboo splayed legs all joined by a perimeter stretcher; excellent vintage condition; professionally polished and reupholstered

the round beveled mirrored top above an apron composed of beveled mirrored panels; raised on gracefully splayed gilt wood legs; excellent restored condition

each cylindrical lamp covered in deep-teal interlacing leather strap work resting on a brushed nickel base; later plating; rewired with new shades; excellent condition; shades as is

with elegant lines, each chair with upholstered back and seat resting on a graceful wooden frame with arching legs joined at the back; with splayed legs at the rear; excellent vintage condition with new upholstery

impressive size and color, the large apple-green glazed lamp raised on a brushed antiqued brass base; good vintage condition with minor overall wear; rewired

each baluster-form lamp with everted neck and bulbous body all resting on a brass base; with textured surface all in a soft seafoam-green glaze with brown flecks; excellent vintage condition with no chips or cracks; minor pitting to brass bases; rewired

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

each striking lamp with coffered surface all in a matte white glaze; resting on a brass base; excellent vintage condition with no chips or cracks; minor surface wear; rewired

each with long neck above a bulbous body flaring at the base; rewired; excellent condition with no chips or cracks; lamp shades as is.

the large bottle-form lamp with long neck and tapering body all in a crater glaze 

manufactured by blenko glassworks as part of their experimental line these vases were never placed into production; with flared neck and ovoid body in a vibrant orange glass adorned with cobalt decoration; excellent condition.

this peaceful pastoral scene at dusk of a shepherd and his sheepdog returning their flock to the stable; Reuben LeGrande Johnston (1850-1918), was born in Alexandria, Virginia. Best known for his landscapes with animals, he was well-traveled, visiting France, Spain, England, Tangiers and Morocco. He also traveled to the American west, notably Cheyenne, Wyoming. He was a member of the Society of Washington (DC) Artists, where he exhibited, in addition to the National Academy of Design; some discoloration to paper; newly matted and framed

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascination with Danish modern furnishings in the 1950's. In 1954, he was exhibition director of ''Design in Scandinavia,'' at the Brooklyn Museum of Art, introducing modern Scandinavian design to Americans. Mr. Van Koert's furniture designs for Drexel, were represented by prominent department stores such as Macy's and Bloomingdale's; good vintage condition with minor wear and patina; patina to brass

a good example of American Impressionism with its thickly applied paint capturing the shifting effect of light and color; Hugo Melville Fisher (1878-1946) was active in California and is best known for his seascape and marine paintings.  Born in Brooklyn, and the son of artist Hugo Anton Fisher, the Fisher family moved to Alameda, California in 1886.

'Sand Dollar' pattern made by the McCoy Pottery Co., Roseville, Ohio; each double-handled vase of ovoid form in a matte bone-white glaze with relief decoration; now drilled as lamps with custom giltwood bases; marked 'USA' to underside; rewired; with minor manufacturing glaze imperfections; some fine craquelure to glaze; excellent vintage condition commensurate with age