each large lamp of a soft amethyst art glass with controlled bubbles and silver aventurine; raised on a clear glass scalloped base; excellent condition with no chips or cracks; rewired

each hand-blown lamp produced using the 'murrine' method where patterns are created using glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired 

each large bottle-form lamp with iron-red decoration of elegant peacocks in a lush floral landscape setting; raised on giltwood bases; originally purchased at the Plaza House, Okinawa, Japan in 1964; minor wear with no chips or cracks; rewired; bases re-gilded

each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired 

great 1960's design each with iridescent orange glaze resting on brass bases; in excellent vintage condition with no chips or cracks; minor wear to glaze; rewired

each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.

each striking lamp with coffered surface all in a matte white glaze; resting on a brass base; excellent vintage condition with no chips or cracks; minor surface wear; rewired

the large and heavy hand-blown baluster-form lamp with textured surface; the waisted neck collar above a spheroid body; all resting on an egg-and-dart brass base; manufactured in Italy for the Marbro lighting company; excellent condition; rewired

each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired

of faceted translucent white opaline glass, each with long neck above a waisted mid-section over a bell-shaped base; no chips or cracks; rewired; patination to brass fittings; new shades as is.

each bottle-form lamp of gold glass decorated overall with a watery blue and green thumb-print drip pattern; resting on a gilt-metal base; excellent vintage condition with no chips or cracks; cleaned and rewired; newly gilded bases

each with elegant flared neck flanked by clear aventurine glass handles all above a tapering body resting on a lobed aventurine splayed base; all over a conforming gilt-metal plinth; excellent condition; rewired; new lampshades as is.

Signed lower left; Paul Immel was born in Helena, Montana in 1864. Immel studied at the Ball School of Art in Minneapolis and in 1924 moved to Los Angeles where he further studied at Otis Art Institute, later moving to Seattle, Washington. Immel is known for his watercolor floral studies and was a member of the Puget Sound Group of Northwest Painters and the Northwest Watercolor Society; excellent condition with nice clear colors; some wear to blonde-stained wooden frame

of campaign style, each with semi-attached leather cushion above a wooden frame with faux bamboo perimeter border fitted with brass mounts; excellent vintage condition with new upholstery; nice patina to wood with some pitting to brass mounts

each gracefully proportioned lamp of elongated teardrop form above an ebonized circular metal plinth; rewired; shades as is

composed of interlocking antlers resting on a circular wooden base; general marks, rubbing and wear; antlers painted with some chipping; professionally rewired

Each large lamp with deep earthtone drip glaze in colors of ochre, brown and umber; all raised on a brown painted metal base; excellent vintage condition with no chips or cracks; rewired.

each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring 

of openwork pineapple form in a gray and subtle verdigris finish with flared top above a bulbous woven body raised on splayed feet; glass top not included; structurally sound with expected wear and patina to the iron surface from outdoor use

each tall bottle-form lamp decorated overall with a watery blue, aubergine and green thumb-print drip pattern; resting on a gilt-metal base; excellent vintage condition with no chips or cracks; cleaned and rewired; newly gilded bases

each bottle-form lamp with checkered orange and olive green design all above a rectangular wooden base; excellent condition; rewired

each with long octagonal neck above an ovoid body ending in a splayed foot; fitted with brass collars; professionally rewired; some wear to alabaster; patina and antiquing to brass

each of shapely baluster form with flaring neck above a bulbous body with a flared foot; hand-painted overall with iron-red floral and foliate vines and clusters with flying birds on the rear; raised on wooden bases; good overall condition with no chips or cracks; professionally rewired

each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired 

Each tall lamp with striking drip glaze in deep greens and blues; raised on a brushed brass base; rewired; good vintage condition with no chips or cracks