Gunnar Donald Anderson (1927-2022) was active/lived in California, New York and is known for his child portraits and advertising art. After two years of study at the California School of Fine Arts in San Francisco, he attended Los Angeles Art Center School and in 1951 earned his Bachelor of Fine Arts Degree. From 1951 to 1955, he worked for as an art director for two New York City based advertising agencies, before moving to San Francisco in 1955. His works are held in numerous collections nationwide and has received multiple awards.
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
each large opposing panel depicting mythological characters of Europa and Zeus; Zeus is enamored by Europa and transforms himself into a bull then mixes in with her father's herd, as Europa is out gathering flowers she sees the bull, caresses his flanks and eventually climbs onto his back, Zeus soars off taking Europa to Crete making her queen; each reinforced with iron framing to back; repairs wear to surface.
each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition
From the artist: "Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty."
Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento.
From the artist: Old fishing boats have always fascinated me. Those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.
from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and i cannot pass one by without shooting a photograph as inspiration for a future painting. i seek to capture their essence, in a time less hurried, a calmness of spirit. i want to preserve their beauty.
michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento
michael dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his b.a. and masters in art from california state university, sacramento.
from the artist: old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty.
Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.
each bottle-form lamp with long cylindrical neck above a bulbous body all in a peach and white crackle glaze with gilded highlights; by Frederick Cooper Lamp Co., Chicago; good vintage condition with no chips; fine overall craquelure to glaze; rewired
the round occasional/end table featuring a book-matched top above a similar lower shelf; metal label to underside "Wm. A. Berkey Furniture Co., Est. 1881, A Division of John Widdicomb; good vintage condition; professionally refinished
with long cylindrical neck above a spherical body all in an ivory crater-glaze finish; good vintage condition with minor overall wear; Jaru Art Products began in 1950 by Jack and Ruth Hirsh in Culver City, Calif. The name is a combination of the first two letters of their first names (Ja and ru). Jaru sold artwares by various artists then later created its own line. Most pieces were marked with a simple paper sticker, although some have an impressed mark. Jaru was sold in 1968.
with high and enclosed hollowed-out back above a loose cushion seat; resting on wooden legs joined by an H-stretcher; excellent vintage condition; newly upholstered; the Porter's chair was placed at the front door to be used by a household servant who awaited a visitor's knock. The design enveloped the servant for warmth and protection from the cold breezes as the door was opened and closed.
wonderfully re-purposed mirror of solid construction composed of 33 wooden shoe molds mounted on a circular wooden frame; overall wear and patina with areas of missing wood
Susan's energetic, colorful abstract contemporary paintings are based on her study of nature - from flowing water to rolling meadows; her use of thick brush strokes while adding and removing material creates a vivid collage of color and movement; within a thick birchwood frame; signature to lower left and on the reverse; label on reverse; good condition with no visible defects to canvas; minor wear to wooden frame
each comfortable chair with overstuffed wings above a loose cushion flanked by out-scrolled arms; raised on square supports joined by stretchers; upholstered in Pierre Frey French country 'La Basse Cour' fabric; excellent overall condition with minor fading to arms
each of refined minimal design with elegant lines; of iron construction with new ivory leather upholstery; good vintage condition with overall even wear and patina
Each large ginger jar with subtle celadon drip glaze with fine craquelure to surface; raised on turned giltwood bases; rewired; good vintage condition