great statement pieces, each of curule form in a patinated iron finish; with new faux alligator upholstery
each striking lithograph centering a black circular reserve with classical figures at various pursuits; later ebonized frames and slips with hand-wrapped linen mattes.
of large scale, the shimmering crystal vase with lobed mouth tapering to the base; with acid etched signature "Daum France" separated by the cross of Lorraine indicating early production pieces 1945-1950; excellent condition with no chips or cracks
the long double-seated bench with scrolled arms above a scalloped apron; raised on elegant cabriole supports; excellent restored condition with new tan leather upholstery.
the lively carved rocaille crest with plump fruit and Hoho bird cascading over the rectangular frame adorned with meandering floral festoons; overall patina and rubbing to gilded surface; later beveled plate
surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface
each with arching crest rail above dramatically scrolled arms above lotus leaf carving; the bowed seat with plain frieze apron raised on console legs with carved volutes and lotus leaves at the knee; restored; reupholstered.
the rectangular giltwood outer frame surrounding mirrored panels with reverse-etched decoration of floral and foliate vines; all bordering a giltwood slip surrounding the original beveled plate; rubbing and patina to re-gilded surface; overall abrasions and antiquing to original mercury mirror plates; no cracks or chips
Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired
each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered.
the serpentine marble top above a conforming apron centering an openwork floral reserve emanating meandering grape vines along the apron edge and cascading down the cabriole supports with inscrolled feet; patination to gilding; later top.
the expressive upturned head above a well-delineated body with outspread wings standing on a rockwork base; patination to surface with remnants of gilding.
each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.
of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface
this wonderfully expressive seated greyhound with head turned and paw raised; nice patination to surface
the abstract expressionist drawing of a graceful ballerina dancing to Swan Lake in a deep bow; excellent vintage condition with only minor discoloration to paper; new acid-free matte; later cerused oak frame; with illegible signature
the well-figured marble top resting on an iron tripod frame with rope-twist perimeter ring surrounded by 3 splayed supports ending in hoof feet; joined by a shaped stretcher; excellent condition with minor wear and patina
each crafted from hardwood inlaid with exotic materials, i.e. ebony and bone, surmounted by an inset woven double-coved seat above an intricate openwork apron all raised on turned supports; good vintage condition
each of shapely baluster form with flaring neck above a bulbous body with a flared foot; hand-painted overall with iron-red floral and foliate vines and clusters with flying birds on the rear; raised on wooden bases; good overall condition with no chips or cracks; professionally rewired
A good example of Blenko hand-blown glass by artist Joel Myers, each with long neck above a bulbous body fitted with a water-drop solid glass stopper all in a cerulean blue clear glass; with pontil marks to underside; crafted using the Venetian free-blown glass technique so slight variations may occur; good condition with no chips or cracks
excellent condition; rewired
a handsome and richly-patinated english george ii style walnut tray with pie-crust molding; good condition
each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
each tall bottle-form lamp with a textured peach and white glaze all over a walnut base; good vintage condition with minor wear; re-wired
