Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired
each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered.
each with cylindrical neck above a tapering body adorned overall with lappet and scrollwork perimeter bands and chevron decoration; raised on wooden bases; good condition with no chips or cracks; professionally rewired; property of an East Hampton collector
each with incurved back sloping to join a tight seat flanked by bowed arms ending in swan neck terminals; raised on cabriole legs; adorned overall with giltwood acanthus leaves, bellflowers and scrollwork; professionally restored with refreshed paint and gilding; overall even wear and patina; newly upholstered
each good quality chest fitted with 2 mahogany-lined drawers with fruitwood stringing centering brass pulls; raised on tapering turned supports; excellent condition.
each bearded face surrounded by thick curly hair; with custom iron stands and lampshades
each of overall good condition with sturdy construction; some staining to cushions; webbing is tight with overall even wear and good color; chips to powder-coated finish
each tall stick of quadrangular form with square shaft above a splayed base; meticulously veneered in beige stone with peach and burnt umber colored marble at the corners surrounded by fine brass stringing; minor wear.
each substantial baluster-form lamp of carved travertine resting on iron bases; from the Collection of Craig Wright, Los Angeles; small areas of infill; professional repair to one lamp base; professionally rewired
decorated with a scenic reserve centering a hunter on horseback beside a pair of dogs all on a black lacquered ground with gilt foliate decoration; impressed mark to underside ' Mark Knowles and Sons'; good antique condition with some wear and patina to surface; later faux bamboo black lacquered stand
each gracefully-shaped urn reminiscent of classical antiquity with graceful neck above a tapering body flanked by mask handles; all over a wooden base; good antique condition with overall patination; one base with minor fracture
each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition
each with framed oval back above a tight seat flanked by padded arms all raised on fluted supports; good restored antique condition with new leather upholstery; overall even wear and patina to surface
the square upholstered seat above a stick and ball carved openwork apron surrounded by an intricately inlaid body; raised on square supports joined by arabesque spandrels all over turned feet; good antique condition with overall even wear and patina; small areas of replaced inlay; new leather upholstery
each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding
each comfortable chair with overstuffed wings above a loose cushion flanked by out-scrolled arms; raised on square supports joined by stretchers; upholstered in Pierre Frey French country 'La Basse Cour' fabric; excellent overall condition with minor fading to arms
each with incurved wedge-shaped tufted back above a generous seat all raised on turned wooden legs with brass sabots; excellent restored vintage condition with new tweed upholstery
each of refined minimal design with elegant lines; of iron construction with new ivory leather upholstery; good vintage condition with overall even wear and patina
each well-figured lamp of well-figured sienna-colored onyx with gray and black veining with flared neck above a bulbous lobed body over a splayed base and giltwood plinth; excellent vintage condition with some chipping to edges; re-gilded base; rewired
each with slender flaring neck above a bulbous body; decorated with incised geometric designs in a white glaze with gilt perimeter bands; overall fine craquelure to glaze; good vintage condition with no chips or cracks; rewired
each with thick square top raised on four circular graduated supports all joined by a lower shelf; having labels adhered to the underside and dated 4/53; good vintage condition with nice even color
each robust stick with deep cup above a double-baluster support; raised on a tripartite base with spheroid feet; minor wear; excellent condition; newly wired and mounted as lamps
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired