a rococo style mirror with a modern twist; the oval plate within a gilt-metal frame consisting of lively C-scrolls and foliate sprays; excellent vintage condition with overall even wear to newly gilded surface

this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals

from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."

the tall vessel decorated overall with relief decoration depicting birds standing and perched in a water setting amid cattails, water plants and foliate branches; signed 'France' to underside with impressed maker's mark 'St. Andre, Nice'; minor chipping along base; with some professional repairs 

F. Baldi (Italian 1st-half 20th century) was active/lived in Italy and is known for his coastal paintings; each sun-filled coastal scene painted in heavy impressionistic brush strokes; each with custom giltwood frames with olive-green velvet mattes; each signed 'F. Baldi'; good condition with clean surfaces and clear colors; some rubbing to gilding

with revived interest in the arts and design of the Renaissance period of the 14th-16th centuries; signed to underside 'AS' for Alfredo Santarelli (Italian 1874-1957) Majolica lustre-glazed urn with serpent handles; professional repair to lip

the wide bowl with flared lip above a tapering body all raised on a raised foot; the underside with recessed frosted geometric design; excellent condition.

the inset glass top within a chrome frame with geometric openwork apron; good condition with minor overall wear

of heavy quality with 'floating' top raised on square supports joined by a glass lower shelf; striking chrome finish with brushed brass stringing and detailing; excellent condition with minor overall wear.

the tapering openwork support above 6 scrolled arms ending in a glass orb pendant knob; excellent vintage condition; rewired

each boldly-carved rectangular frame of lively scrolling acanthus leaves; age to later plates; even rubbing to gilded surface;  some chipping and surface cracks

 the all panel-cut jar with splayed cover topped with a faceted finial knob all resting on an ovoid body; unsigned; in the manner of Moser Glassworks; in excellent condition with no chips or cracks; minor abrasions to underside of foot

with cartouche-shaped mirrored frame with reverse-etched thistle vine all surrounding a conforming beveled plate within an alternating glass border of white and cobalt glass; good condition with overall even antiquing 

with arbalette crest above two doors over a bombe-form base fitted with four drawers all over splayed feet; excellent restored condition

the well-figured top over 3 burlwood columnar supports joined by a lower shelf; raised on robust paw feet with acanthus detailing; excellent restored condition

fine example of a reverse-glass still life painting with lush floral stems over newly-sliced pomegranates, plump grapes, red cherries and pears with two small hidden birds; exposed section on back with script describing the gifting of the painting to William Schroeder from his Aunt Hickson in 1849. The painting was originally owned by Schroeder's grandfather (Hickson's father), German-born Valentine Schwarz and was described as Schwarz' 'favorite picture'; most-likely the painting was brought from Germany by Schwartz in the 18th century settling in Frederick Town, Maryland

the flaring neck above an ovoid body flanked by loop handles; with minor wear to surface.

the beveled rectangular plate surrounded by a giltwood frame with half-turnings and carved rosette corners; wear to later gilding; age to plate.

 executed in variegated stone, the hand-carved octopus with smooth polished surface emerging from the unfinished stone below; overall even wear with some surface chips

each with arching mirror plate within a warmly patinated silver-leafed giltwood frame; overall even wear to surface; antiquing to plates

the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery 

Moya Aiken