with slender flaring neck above an ovoid body; composed of various laminated wooden sections turned on a lathe
the square upholstered seat above a stick and ball carved openwork apron surrounded by an intricately inlaid body; raised on square supports joined by arabesque spandrels all over turned feet; good vintage condition with overall even wear and patina; small areas of replaced inlay; new leather upholstery
each doki (earthenware) vase of shapely sensual baluster form covered in a rich celadon drip glaze ending at the foot; each marked to underside; excellent condition with no chips or cracks
each beautifully hand-blown candlestick of gold infused glass with spiraling (filigrana) support; excellent condition with no chips or cracks; labeled "La Fenice, Murano"
each with shaped lid over a cylindrical body all in alternating clear and frosted glass with hand-painted foliate perimeter bands with gilt highlights; overall even wear with rubbing to gilded surface; no chips or cracks; foliate bands of different hues
each stylized elongated bird in a soft coral-to-clear glass; excellent condition with no chips or cracks; minor scuffing to underside
the wide bowl with flared lip above a tapering body all raised on a raised foot; the underside with recessed frosted geometric design; excellent condition.
the center support of simulated drapery and bow; emanating 6 double-scrolled candlearms; the whole tapering to a grape cluster pendant surrounded by openwork foliate motifs; rewired.
the domed lid with one seated and one standing rabbit with inquisitive gazes; resting on a circular basket-weave bowl; minor wear; excellent condition.
considered to be 'the most impressive botanical works of the period' by known art historian Anthony Blunt; new acid-free matte and giltwood frame; minor discoloration
the tall back with dramatic arching crest above a serpentine seat flanked by padded arms all above a scalloped apron raised on cabriole supports; excellent restored condition.
perfect for the foot of a bed; the shaped padded seat above a scalloped apron raised on graceful cabriole supports; adorned overall with rocaille and shell carving; overall even wear; excellent restored condition; newly upholstered
the original split mirror plates below a crest of a finely-carved floral basket and musical instruments suspended from a graceful carved ribbon; wear and age to surface and plates.
The slatted openwork seat flanked by incurved armrests above a curule form base with scrolling elements; raw iron finish with overall even wear and patina
great statement pieces, each of curule form in a patinated iron finish; with new faux alligator upholstery
surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface
the shaped leather seat above a conforming frame adorned with carved rocaille and foliate motifs all raised on cabriole supports joined by an undulating stretcher; good antique condition; professionally refinished with new embossed leather upholstery
the expressive upturned head above a well-delineated body with outspread wings standing on a rockwork base; patination to surface with remnants of gilding.
the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base
each depicting an etruscan urn with detail images and inscriptions written below; from the book 'Picturae Etruscorum in Vasculis' by Giovanni Battista Passeri; later French mattes and giltwood frames; excellent condition.
of asymmetrical form with a lively floral head emanating from one corner; with artist's initials 'PSM', overall oxidized surface
