Milos 2006 no. 12, Watercolor By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”
Milos 2009 no. 17 Watercolor On Paper; William Stanisich, San Francisco Presented by epoca. Milos Series: watercolor-on-paper ,2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco Painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated, “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Milos 2006 no. 24, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’. San Francisco painter, William Stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “I have allowed my imagination the freedom to create a realism more accurate than mere mimicry”
Milos 2000 no. 1, Watercolor On Paper By William Stanisich, San Francisco presented by epoca. Milos Series, watercolor on paper, 2000-2013. A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’ phone (415) 864-6895.
executed in variegated stone, the hand-carved octopus with smooth polished surface emerging from the unfinished stone below; overall even wear with some surface chips
the well-figured rosewood bowl centering a 5-point inlaid star; raised on three spheroid feet; with minor wear.
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
perfect as an ottoman, stool, foot rest, or table having an oval upholstered seat above a deep apron and raised on turned wooden supports ending in casters; excellent antique condition with new upholstery; refinished
the well-figured rectangular top above a conforming body fitted with 3 long paneled drawers all raised on tapering quadrangular supports; overall even wear and patina in good antique condition; some shrinkage to top; some replacements
from the artist: Old fishing boats have always fascinated me. those on the verge of falling apart, and sinking into the sea seem to call me, and I cannot pass one by without shooting a photograph as inspiration for a future painting. I seek to capture their essence, in a time less hurried, a calmness of spirit. I want to preserve their beauty. Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
from the artist: I've long been inspired by old things. The texture and play of light on a weathered surface are the things that spark my imagination. I seek to capture a building's essence in my paintings, in a time less hurried with a calmness of spirit. Their strong simple shapes inspire me to try to somehow preserve their beauty captured at a moment in time.
Michael Dunlavey is a true watercolor master learning his craft first from his father as a boy then receiving his B.A. and Masters in Art from California State University, Sacramento
a good example of American Impressionism with its thickly applied paint capturing the shifting effect of light and color; Hugo Melville Fisher (1878-1946) was active in California and is best known for his seascape and marine paintings. Born in Brooklyn, and the son of artist Hugo Anton Fisher, the Fisher family moved to Alameda, California in 1886.
Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane at the Art Students League in New York, he took up photography during World War II in Provincetown. His photographs were published by Time Magazine, the New York Times and the Associated Press. Seven of his photographs are included in the Smithsonian’s permanent collection.
fine example of a reverse-glass still life painting with lush floral stems over newly-sliced pomegranates, plump grapes, red cherries and pears with two small hidden birds; exposed section on back with script describing the gifting of the painting to William Schroeder from his Aunt Hickson in 1849. The painting was originally owned by Schroeder's grandfather (Hickson's father), German-born Valentine Schwarz and was described as Schwarz' 'favorite picture'; most-likely the painting was brought from Germany by Schwartz in the 18th century settling in Frederick Town, Maryland
each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.
this Roseville jardiniere on pedestal in the rare Florentine Pattern manufactured from 1923-1926, featuring a bulbous double-handled urn resting on a tapering pedestal ending on a splayed foot; adorned overall with egg-and-dart perimeter bands and cascading garland festoons; good antique condition with small chip to base and one handle; with fine glaze craquelure overall
each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks
of neogothic design with its pointed spire, clock faces and tall reticulated body; the body in good restored condition; clock not in working order
with large ribbed clear glass bowl emanating clear glass flower petals with blush highlights; excellent condition with no chips or cracks; rewired; fitted with 6 standard bulb sockets.
manufactured by blenko glassworks as part of their experimental line these vases were never placed into production; with flared neck and ovoid body in a vibrant orange glass adorned with cobalt decoration; excellent condition.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.
milos series – watercolor on paper 2000-2013; a series inspired by the legendary greek island, milos, with a ‘kaleidoscope of minerals, colors and water caves’. san francisco painter, william stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “i have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to
a nice set of three Venetian glass paperweights infused with controlled bubbles; good vintage condition with no chips or cracks
