the round top with inlaid perimeter band depicting hunters and various animals amid a meandering foliate vine; raised on a splayed support over a square plinth with similar inlay; resting on four paw feet; professionally restored with small areas of replaced inlay 

The well-figured half-round top with ebonized bullnose edge; above a plain frieze apron adorned with brass bosses; all raised on elegant splayed supports; staining and patina to top with one filled area

this life-sized rabbit made of polished aluminum with brass feet and carnelian stone eyes; the top half is a hinged lid; stamped signature 'Arthur Court 1986'

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired

The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame

the original hand-beveled cartouche-shaped mirror plate within a conforming giltwood frame surmounted by a bold Ho Ho bird; the whole adorned with elaborately stylized rocaille carving and scroll motifs; the Ho Ho bird was originally seen in asian artwork and symbolizes good fortune and longevity; even patina and rubbing to newly water-gilded surface; some antiquing to plate

with high cartouche-shaped back centering an over-scaled coral painted shell motif; above a faux marble hinged seat over a solid apron with scalloped border; in colors of coral, blue, green and ochre on a pale blue ground; good antique condition; nice overall wear and patina to refreshed painted surface

known for their exceptional quality reproductions each Burton-Ching chest fitted with a hand-tooled leather brushing slide above two short and three long drawers; Provenance:
Property from the Collection of Craig Wright, Los Angeles, CA; professionally restored and refinished
 

the impressively large and heavy hot cast glass bowl with copper metal leaf adornment; excellent condition with no chips or cracks; George Bucquet and his small team of artisans use a process of pouring hot glass, thick and translucent, into hand-made molds; after up to eight days of cooling, each piece is hand painted using a metallic palette of gold, silver, and copper leaf. Bucquet has established a national reputation for his unique and striking cast glass bowls.

with turned fold-down legs, the rectangular tray centering a brass inlaid Taj Mahal (commissioned in 1631 by the Mughal emperor Shah Jahan to house the tomb of his wife, Mumtaz Mahal); the canted sides of the tray dovetail joined and decorated with brass inlay and carved handles; the hinged folding legs with a spring loaded mechanism for easy travel; good sturdy condition with refinished surface

the scrolled openwork back with craved green man mask flanked by lively floral and foliate scrollwork above a classical flaming urn flanked by serpent handles; good restored condition with re-glued and refinished frame; refreshed leather seat

The serpentine marble top above a conforming body having two drawers fitted with foliate bronze hardware all over a scalloped apron. adorned overall with floral and foliate inlaid olivewood reserves on a black walnut ground; good antique condition with small areas of replaced veneer; professionally refinished; some age and patina to later marble top

the circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman God and putto; with Antonio's Antiques retail tags; good antique condition with small veneer repairs and overall warm patina; later stand with elegant splayed supports joined by a curvaceous stretcher

of well-figured walnut veneer, the bowfront top above a conforming case fitted with 3 drawers and a brushing slide all over a scalloped apron and bracket feet; good antique condition; professionally refinished with small areas of replaced veneer

each with shaped top above a bombé-form body fitted with 3 drawers all raised on cabriole supports; beauitful rich patina; refinished surface; paper lining to drawers Carved accents on base. Measuring: 24 1/4" x 12 1/2" x 27"

the inset black leather top with gilt hand-tooled border all within a bowed square top above a paneled apron with brass banding fitted with one long drawer; raised on tapering fluted supports ending in brass sleeves and casters; good condition commensurate with age; patina and overall even wear to leather and wooden surface; age and wear to brass

each tall vase with flaring neck above a bulbous body ending in a splayed foot; adorned overall with hand-painted lappet perimeter bands and floral vines; raised on custom wooden painted bases; good condition with one professionally repaired chip to underside of lip; professionally rewired 

each of shapely baluster form with flaring neck above a bulbous body with a flared foot; hand-painted overall with iron-red floral and foliate vines and clusters with flying birds on the rear; raised on wooden bases; good overall condition with no chips or cracks; professionally rewired

the well-figured quarter-veneered oval top above a plain frieze apron raised on a graduated quadrangular pedestal adorned with giltwood anthemion decoration above a giltwood foliate perimeter band; all resting on a concave quadruped base; good antique condition with professionally refinished surface; even wear and patina to gilded surface

each of robust scale all in a raku glaze of muted tones of green and blue; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a variety and depth of colors and surface effects; good vintage condition with minor wear; re-wired

this rare architectural or pyramid Biedermeier furniture was created by the highest level craftsmen, having a rectangular top above a pediment frieze over three drawers flanked by Doric columns over block supports; refinished surface; good antique condition with overall even wear and patina

the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top

the shaped stool with a slip seat above a deep concave apron; all raised on exuberant acanthus carved cabriole legs ending in claw and ball feet; minor veneer replacements; refinished surface; wear consistent with age and use

each with cartouche-shaped back above a generous upholstered seat flanked by outscrolled arms; all above a scalloped apron over cabriole supports; frame re-glued and strengthened; painted surface refreshed; re-gilded with white gold; overall wear and patina

the serene tonal painting with its limited palette and harmonizing colors depicting an impressionistic, hilly wintry scene; excellent condition; new giltwood frame and fillet; Robb Beebe began his art training in 1910 at the Cleveland School of Art. Post-university studies led Beebe to the Art Institute of Chicago. In 1913, he began using the name Robb Beebe with its unusual spelling. In the 1930's, Beebe worked as an illustrator for the pulp magazine, All Story Love Tales while contributing to Women's World, Collier's and McCalls.