the very cool decanter with large clear glass paddle-form stopper resting on a vibrant blue base; excellent condition with no chips or cracks
the curious coffee table depicting three over-scaled books with oak covers and spines and faux marble painted 'paper'; all raised on short bulbous turned supports; the single drawer interior with maker's label 'Roundtree Country Reproductions'; good vintage condition with overall even wear and patina
the expressive turtle with head gazing upwards; with well-delineated shell; excellent vintage condition professionally cleaned and painted
each with incurved wedge-shaped tufted back above a generous seat all raised on turned wooden legs with brass sabots; excellent restored vintage condition with new tweed upholstery
stylish living from the 1950's, the square table on down-turned legs; with graceful side chairs with open trellis-work seats over splayed supports; structurally sound and in good vintage condition
of classic design constructed of well-figured solid walnut with slightly bowed rectangular tops above a conforming body with two-drawers fitted with later brass pulls; raised on a subtle saber supports; professionally refinished with minor wear and warm patina
with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame
impressed with Rookwood flame mark; the well-detailed deep bowl depicting large overlapping cabbage leaves with flared undulating rim all tapering to a short foot; excellent condition with no chips or cracks; Rookwood has the distinction of being the first manufacturing company in the United States founded by a female, Maria Longworth Nichols (Cincinnati, OH, 1880) The name was chosen because of the many rooks, also known as crows, on her father’s estate and added “wood” in recognition of Wedgwood
each tall stick of quadrangular form with square shaft above a splayed base; meticulously veneered in beige stone with peach and burnt umber colored marble at the corners surrounded by fine brass stringing; minor wear.
Grosfeld House Furniture Co. produced some of the most iconic, edgy and unique furniture designs of the 20th century. Known for their superb quality, the designs were modern but had classical inspiration. Vladimir Kagan, Eugene Schoen and Lorin Jackson were some of their notable designers; this lovely klismos-inspired side chair with incurved back and overall neoclassical decoraiton but with a modern flare; excellent restored condition; new leather upholstery
this classic design of aluminum construction with burgundy leather; original design from 1958, Eames Aluminum Group; 1980's; see '1000 chairs' by Charlotte and Peter Fiell pgs. 338-339; overall creasing and patina to leather with minor rubbing to metal
classic chairs designed by T. H. Robsjohn-Gibbings (1905-1976) for Widdicomb with bleached walnut frames raised on elegant splayed supports; see article by James Buresh, “Timeless Mid-century Modern Design,” Archives of American Art Journal, no. 48, 2009, pp. 30, 33; excellent vintage condition; recently reupholstered with some minor staining
each large scupture of assymetrical shape in an ivory glaze; excellent condition with no chips or cracks; stamped and labeled "Jaru 1984"
Each custom bead-embellished silk pillow with gold braid and fringe; the silk reverse panel with braid detail; designed and made by Morrison & Company (metal label attached) originally sold through Baker, Knapp & Tubbs; two square and one rectangular; the rectangular pillow with water stain to reverse panel; overall good condition with beads intact
a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks
each openwork sconce with flaring top, waisted mid-section and graceful upturned arms with turned wooden candlecups; minor overall wear
the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label
this life-sized rabbit made of polished aluminum with brass feet and carnelian stone eyes; the top half is a hinged lid; stamped signature 'Arthur Court 1986'
a true statement piece of impressive scale with long flaring neck above a bulbous body covered in a deeply-colored olive green glaze; excellent vintage condition with minor wear
each of large scale with richly-colored drip glaze in colors of brown, and raw and burnt sienna all over a matte pumice-glazed ground; excellent vintage condition with only minor wear to surface; rewired
each well-rendered artist's study depicting grasping hands and a foreshortened foot; very nicely detailed; unsigned; excellent condition with minor discoloration to paper; new deep brown lacquered wooden frames and fillets with acid-free matting
a true time capsule of 1961, the 3-dimensional plaster negative relief plaques depicting a golfer, bowler and tennis player all engaged in their sport and all from the perspective of being in front of the player; each inscribed '1961 RICHTER'; Hal Richer ( German-American 1888-1976) an artist and filmmaker known for his contribution to the Dada movement. Settling in the US after fleeing Nazi Germany, spending his later years in Connecticut; good vintage condition with some small chips to edges; some rubbing to surface
Alamo Square 2014 - Oil On Canvas By William Stanisich, San Francisco; Signed And Framed Dated 2014 presented by epoca. “Its paths cling to the sides of steep hills. The views are spectacular and after the 1906 earthquake, it was here the surrounding neighborhood set up a tent city to take refuge”.
of impressive size, the cased glass bowl with swirl decoration in brown, gold and copper on a butter-yellow ground; excellent condition
Sasha Makovkin typically threw pieces which his wife Susan decorated. His work ranged from functional stoneware forms to sculpture and architectural installations. Makovkin dug the stoneware clay he used for his functional pieces from Mt Tamalpias. Long before it was popular, Makovkin fired his work in a diesel fueled kiln using a mixture of used motor oils. 1954-1957 Heath Ceramics, Sausalito, California; 1966-1970 College of the Redwoods, Mendocino, California; 1988-1989 Artists (with his wife Susan) in Residence at Princeton Seminary, New Jersey
