each tall lamp with long neck above a ribbed bulbous body resting on a flared giltwood base; excellent vintage condition; rewired

each tall hand-blown lamp with long neck and bulbous body all in a translucent sea-foam green glass with dark flecks; fitted with lucite caps and bases; good condition with no chips or cracks; professionally rewired; minor scuffing to lucite

each with flared neck above a bulbous lobed body over a flared base resting on a gilt-metal splayed base with lappet decoration; minor wear; rewired; new lampshades as is.

the square-form flared opening above a slightly-bulbous body carved in opaque with an undersea nude male figure playing a harp surrounded by bubbles; for illustration of an example of this vase Glas in Schweden; 1915-1960, Prestal-Verlag, Munich, 1986

with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.

with everted lip above an ovoid body decorated overall with white lava glaze swags and perimeter rings over a richly-colored ochre glaze; raised on a faux good painted bases; excellent vintage condition with no chips or cracks; rewired

each bulbous form lamp of pale-green glass infused with frosted flecks; raised on a giltwood base; no chips or cracks; rewired with new shades; shades as is

the white bottle-form Murano lamp with gold inclusions fitted with brass mounts; good vintage condition with minor wear and patina; re-wired

composed of ruby-trimmed, gilt-flecked glass; each with baluster support surrounded by voluted scrolls, with scrolled candle arms terminating in sockets set with matching shades, alternating with downscrolled voluted tendrils; excellent vintage condition with no chips or cracks; no missing elements; rewired

each ceramic ovoid-form lamp in a matte steel-blue glaze with a brass perimeter band of imbricated leaves; good vintage condition; minor pitting to brass; re-wired

this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist

each white glazed lamp with domed faceted lid resting on a conforming body decorated with gilt floral and foliate reserves on a cobalt ground; with geometric perimeter band at the shoulder; mounted on a gilt-bronze base; professionally rewired, excellent vintage condition with no chips or cracks; minor wear to surface

each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired

these elegant chandeliers composed of hand-forged gilt-metal frames sheathed in glass; emanating 6 scrolled candlearms with a central light within the fixture; excellent condition; professionally rewired and cleaned

possibly French; each of double-gourd form with applied floral and foliate vines raised on a white painted wooden base; both lamps have scattered losses; minor wear painted wooden bases; professionally rewired

each painted in a teal and cranberry plaid adorned overall with a lacy foliate vine; raised on square wooden plinths; labeled 'Frederick Cooper, Chicago'; good vintage condition with no chips or cracks; minor rubbing and wear to surface

each tall vase with flaring neck above a bulbous body ending in a splayed foot; adorned overall with hand-painted lappet perimeter bands and floral vines; raised on custom wooden painted bases; good condition with one professionally repaired chip to underside of lip; professionally rewired 

each sculptural oversized table lamp, composed of stacked free-form clear crystal hand-blown vases with pinched mid-section joined by a chrome stem; good vintage condition with minor rubbing to glass; some age and patina to metal; professionally rewired 

the vintage 5-piece aluminum set consisting of a circular glass-top table with openwork splayed supports along with four barrel-back chairs; excellent sturdy condition with new gray powder coating and pale blue cushions 

each cylindrical lamp covered in deep-teal interlacing leather strap work resting on a brushed nickel base; later plating; rewired with new shades; excellent condition; shades as is

the tall ovoid-shaped lamp resting on a square plinth all clad in a russet-colored leather with brass fittings; good vintage condition with overall even wear and patina to leather; rewired

Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

each assembled one-of-a-kind table composed of iron gear wheels and cogs; fitted with glass tops; good condition; professionally cleaned and sealed

each elongated form centering a vibrant anthemion motif flanked by lively scrollwork; patination to painted surface.