each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.
each with square top above a square pedestal with inset reserves; chipping and overall weathered patina
each with square mouth above a bulbous body all in a thick lava glaze with red glazed reserves; one with original label; excellent condition with no chips or cracks
the eglomise border with serpentine crest within carved giltwood moldings surrounding a conforming mirror plate; excellent vintage condition with overall even wear
BIOGRAPHY
Bill Bloomfield engages the intersecting qualities between art and architecture through vibrant, hard-edge paintings inspired by the effect of light. Bill has a Bachelor of Architecture from Virginia Tech. As part of his thesis he studied color and form through silk screen printing and continues this exploration today through his paintings.
STATEMENT
a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks
the circular top with brass pierced gallery over an apron fitted with two frieze drawers and candle slides; raised on tapering legs ending in bronze caps all joined by a lower concave shelf; good antique condition with professional restorations and refinishing; small areas of veneer replaced and re-glued
each lidded double-handled urn adorned with cascading hand-painted bell flower garlands all raised on brass bases; good vintage condition with no chips or cracks; professionally rewired; minor overall wear
the well-figured top raised on 4 elegantly splayed supports all joined by a lower shelf
each with four panels detailing various ways to prevent accidents and lessons learned, including 'Feu, Eau, Contagion, Empoisonnements, and Maison'; based on 19th century original lithographs by Emile Deyrolle; Les Fils d’Emile Deyrolle, Rue du Bac, Paris; restored ebonized wooden frames; some darkening, wrinkling, and foxing; PRICED PER PAIR
each with cylindrical neck above a bulbous body all in a clear golden glass infused with translucent white swirls; refurbished with new brass caps and bases; rewired; excellent vintage condition.
of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired
with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.
Each with rolled lip above a compressed lobed body all raised on a splayed base and square plinth; chips and weather surface
each square-form bench with semi-detached faux leather cushion over a deep apron; raised on square tapering brushed-steel supports; overall good vintage condition with some rubbing to edges of cushions; abrasions and dings to legs