this large-scale iron lamp with its neoclassical form and lobed body; resting on a black wooden plinth; excellent condition; rewired
centering a baluster-form support emanating 12 horizontal arms over a cup-shaped bowl; all in a deep, amber-colored glass; excellent condition with no flaws
centering a baluster-form support above a glass bowl emanating 6 scrolled candle-arms with deep cups surrounding lively flower and leaf inserts; composed of gold aventurine and clear glass; good vintage condition with some replaced stems
the tall lamp fitted with graduated lotus style ceramic cups joined by brass dividers; excellent condition with no chips or cracks; rewired
with domed top and flared neck above a bulbous body over a splayed base; adorned overall with graceful gilt foliage; rewired; excellent condition with no chips or cracks; lamp shade as is.
each modeled as stacked half-spheres on a brass circular base; minor overall wear to alabaster; some discoloration and patina to brass; rewired
from the collection of a notable Napa interior designer for his hacienda in La Peñita de Jaltemba, Mexico; fine overall craquelure; overall minor weathering to surface
of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired
consisting of one ovoid pot and a fish-mouth vase, each in a glossy light-chartreuse glaze contrasting with a matt brown background; Schlossberg Keramik was established in 1946 by Ilse and Theodore Stefan in the North Rhine-Westphalia region of Germany. The name was derived from its proximity to the foot of the 'schloßberg' or castle hill; excellent vintage condition with no cracks; minor overall rubbing to surface; some small fritting to rims
The slatted openwork seat flanked by incurved armrests above a curule form base with scrolling elements; raw iron finish with overall even wear and patina
the large bottle-form lamp in a richly-textured burnt-orange crater-glaze; excellent condition with no chips or cracks
each covered jar decorated with hand painted landscape scenes with cherub detail; good antique condition with some chipping to edges
great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired
of graceful form with double-baluster support above a ribbed bowl emanating six S-shaped arms supporting ribbed bobeches; with acid-etched signature to bowl; excellent condition with no chips or cracks; re-wired for US voltage
of ribbed ovoid shape with gold aventurine inclusions all over a splayed giltwood base; excellent condition with no chips or cracks; rewired
each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.
with everted neck above an ovoid body over a lobed foot resting on a gilt-metal base; all in a smoky glass with controlled bubbles; excellent condition; rewired; lampshade as is.
fitted with two removable bentwood trays supported by a collapsible frame raised on circular supports ending in casters; maker's label adhered to inside of frame 'John Stuart, Inc, New York, Grand Rapids'; professionally refinished; some wear to casters
each hand-blown white and clear glass cattail shade set into a brass back plate; no chips or cracks; some wear and patina to back plates; professionally rewired; priced individually $4,000 each
each shapely octagonal lamp of deep teal crackle glaze raised on carved ebonized wooden bases; excellent vintage condition with no chips or cracks; rewired
the well-figured quarter-veneered oval top above a plain frieze apron raised on a graduated quadrangular pedestal adorned with giltwood anthemion decoration above a giltwood foliate perimeter band; all resting on a concave quadruped base; good antique condition with professionally refinished surface; even wear and patina to gilded surface
composed of ruby-trimmed, gilt-flecked glass; each with baluster support surrounded by voluted scrolls, with scrolled candle arms terminating in sockets set with matching shades, alternating with downscrolled voluted tendrils; excellent vintage condition with no chips or cracks; no missing elements; rewired
of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired
