the rectangular top with d-end flaps all with kingwood crossbanding; fitted with a single drawer with blind drawer on the reverse; raised on tapering square supports ending in casters; overall patination
of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination
this large ever-so chic fixture composed of 12-arms with 2 lights per arm often attributed to Tommi Parzinger and manufactured by Lightolier; uses chandelier bulbs with a 60 watt maximum; canopy with Lightolier label; excellent vintage condition
the ciruclar top with diamond and floral inlay marquetry above an inlaid apron fitted with a single drawer; raised on tapering quadrangular legs; excellent condition
each striking lithograph centering a black circular reserve with classical figures at various pursuits; later ebonized frames and slips with hand-wrapped linen mattes.
the turned column-form lamp of nicely figured Carrara marble raised on a stepped base with brass detailing; minor overall wear; rewired
impressive size and color, the large apple-green glazed lamp raised on a brushed antiqued brass base; good vintage condition with minor overall wear; rewired
the rectangular plate within a reverse-painted mirrored frame decorated with graceful floral and foliate vines on a gold gilt ground.
Verre églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy, who was responsible for its revival.
each constructed of mixed woods with rectangular tops centering an inlaid floral medallion within inlaid spandrels; above a conforming body fitted with two hinged doors centering inlaid floral reserves; above a scalloped apron raised on cabriole legs; one cabinet of later date with slightly darker inlay; good restored condition with overall patina and areas of replaced veneer; refinished surface
the Calacatta Viola marble top with bowed front and concave sides inset within an ogee molded edge; over a deep apron with rocaille and acanthus carving; raised on cabriole supports with similar rocaille and acanthus decoration with cascading bell flowers all ending in foliate carved feet; joined by an x-form stretcher of alternating C-scrolls culminating in a lively rocaille carved flourish; good antique condition with overall wear and patina with minor chipping; small areas of refreshed gilding; some discoloration to original top with old repair to one corner
each incurved crest with greek key fret band above a padded back; over an upholstered seat flanked by downswept arms; raised on gracefully splayed legs ending in bronze spheroid feet; new leather upholstery; fully restored condition.
each upholstered slipper/lounge chair having a channeled back over a generous seat all raised on splayed walnut supports; Billy Haines (1903-1973) was a Hollywood actor turned designer became the esteemed tastemaker and is credited with having established the glamorous Hollywood Regency style; excellent restored condition with new upholstery
each with tall flared back above a tight seat flanked by scrolled arms with wood accents; raised on tapering square-form legs; excellent vintage condition; professionally restored and reupholstered
the best of post-war design, each lamp composed of stacked tri-color conical-form glazed elements with brass mounts; Gerald Thurston was one of the most creative American lighting designers of the postwar era. His innovative designs exemplify the streamlined forms of the mid 20th century.
each with thick square top raised on four circular graduated supports all joined by a lower shelf; having labels adhered to the underside and dated 4/53; good vintage condition with nice even color
the rectangular domed lid with finial above a conforming body with lion ring handles; raised on paw feet; indentations and wear to surface
the squared top above a conforming body fitted with a single tambour door; the arching apron joining four columnar supports above a lower shelf; raised on compressed bulbous feet; restored condition
the rectangular tray with a deep gallery pierced with shaped handles; raised on a later collapsible x-frame stand; deep overall color; good antique condition with nice patina to tray
with quick spontaneous brushstrokes using nonrepresentational shapes in black, gray and white paints on a sepia ground; newly framed; Abstract Expressionism is a post–World War II American art movement, developed in New York in the 1940's. It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.
each with gracefully arched crest sloping to the outscrolled arms; above a bowed tight seat all raised on faux bamboo supports with splayed legs at the rear; restored and reupholstered.
this stylish Hollywood Regency gilt-brass and crystal pendant light fitted with over-scaled round faceted crystal elements; rewired with 6 chandelier bulbs with a maximum of 60 watts each; excellent vintage condition with no chips or missing crystals
the serpentine top above a bombe-form body fitted with three drawers adorned with bold bronze foliate mounts; all in a well-figured and richly patinated black walnut veneer; excellent antique condition with minor veneer replacements; later hardware
chic and tailored in style this circular table with stepped apron raised on tapering turned supports connected by a lower shelf; excellent condition
each composed of a metal frame with wooden top and side panels; fitted with 2 metal faux-bamboo doors with antiqued mirrored panels; excellent restored condition with replaced tops
