a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
 

each tall vase of ovoid form with short neck above an ovoid body; the luminous glass with subtle white streaking; excellent condition with no chips or cracks; with foil labels

With glass baluster support all above a gilt metal bowl fitted with a 5-light cluster; all adorned with graceful meandering crystal floral and foliage vines; excellent vintage condition with minor wear commensurate with age; rewired

each outscrolled candlearm emanating from a vasi-form base; fitted with the original scalloped brass shade with pierced decoration; good vintage condition with overall patina and wear; some pitting to brass; re-wired

each ginger jar decorated with individuals at varied pursuits with dragons, clouds, and floral vines; good condition with no chips or cracks;  professionally rewired

the turned column-form lamp of nicely figured Carrara marble raised on a stepped base with brass detailing; minor overall wear; rewired

Each with incurved padded back joining padded arms; raised on curved upright supports above a tight seat; all raised on splayed legs; excellent vintage condition with new deep brown lacquered finish and upholstery

each well-carved lamp with flared crown above an imbricated body; all resting on a faux marble plinth; rewired; lampshades as is; nicely patinated surface.

Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on giltwood bases; small areas professionally restored; rewired

Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired

each of triangular form with molded edge composed of square parquetry design; raised on turned tapering ebonized supports; good vintage condition with refinisged surface 

the moody painting depicting a London bus stop in the rain; painted in the impasto style with a layered painted surface created with thick knife strokes in colors of blue and purple; signed lower left; with title and signature on reverse; some wear to original frame

well-executed solid bronze sculpture of young boys on a seesaw;  all resting on a solid onyx base; Curtis Jere was a metalwork company of wall sculptures and household accessories founded in 1963. Elle Decor referred to the works of Jere as 'vintage chic' in a 2010 article by Mitchell Owens; nice patina to bronze; minor chipping to edges of onyx base

the inset square glass top within a gilt-iron frame adorned overall with a meandering floral and foliate vine; good vintage condition with overall wear and patina; some missing petals

each column of Italian Carrara marble with raised perimeter band all over a stepped base adorned with gilt metal capitals and brass fittings at the base; good vintage condition with some chipping at the base; patina to marble and metal surfaces; rewired

great mid-century design, each ribbed conical-shaped ceramic lamp resting on a concave forest-green lacquered wooden plinth; good vintage condition with no chips or cracks; wooden caps and bases re-lacquered; rewired

with deep brown lacquered finish, the tall graduated caned back above a loose cushion flanked by down-swept arms all over splayed legs; professionally refinished with newly upholstered seat

The Grand Ledge Chair Company was founded in 1837 in Grand Ledge, Michigan,  as a small furniture shop by Thomas Garrett, Harry Jordan, and Edward Crawford. It remained a family run business until 1973, when the business was sold and eventually closed in 1981. 

each of elegant ovoid form adorned with finely articulated floral stems and grotto foliage; excellent condition with a few professionally repaired tips; stamped 'made in france' for the export market

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

with long cylindrical neck above a spherical body all in an ivory crater-glaze finish; good vintage condition with minor overall wear; Jaru Art Products began in 1950 by Jack and Ruth Hirsh in Culver City, Calif. The name is a combination of the first two letters of their first names (Ja and ru). Jaru sold artwares by various artists then later created its own line. Most pieces were marked with a simple paper sticker, although some have an impressed mark. Jaru was sold in 1968.

the thick oval-shaped glass top within a brass frame with similar brass perimeter band below; raised on tapering cylindrical supports with urn-form caps and acorn finials; all joined by a graceful in-curved iron stretcher centering a larger acorn finial; professionally polished and strengthened; some overall rubbing to metal and glass 

with slender flared neck flanked by graceful handles; above an elongated bulbous body over a splayed base with floral vine relief; newly nickel plated; rewired; shade as is

Each of cylindrical form covered in a pale green leather fitted with brass spheres all over a canted base; excellent vintage condition with minor wear to surface; rewired

the thickly-modeled large vessel with exaggerated mouth above a long flaring neck over a bulbous body all in a richly-colored teal mottled drip glaze; excellent condition with no chips or cracks; original Jaru Pottery label