Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.
Land's End 2006 no. 6 - Oil On Canvas By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End. Presented by epoca ph. (415) 864-6895.
Land’s End Series – oil on canvas and watercolor on paper 2000 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End with its wind whipped trees and branches and natural cathedrals, creating ‘magical spaces that are lit from above and glow from within, creating a kaleidoscope of colors and shapes”.
Land's End 2003 no. 6 - Watercolor On Paper By William Stanisich, San Francisco presented by epoca Land’s End Series – oil on canvas and watercolor on paper 2001 – 2018; a series of oil and watercolor paintings of Land’s End, San Francisco, CA; artist William Stanisich captures memories from boyhood to adulthood the “astonishing beauty” of the landscape of Land’s End ph. 415 864-6895
a serenely rendered still life depicting a lush table-scape with an exotic pineapple, symbolizing hospitality, resting on a metal tray all amid a large urn and wine glasses; good condition; illegibly signed and dated lower right; all within the original ebonized wooden frame with gold slip
with textile border and lacquered wooden molding; depicting a tranquil landscape with blossoming flowers surrounding a persimmon tree with plump fruit and punctuated with colorful birds; all next to a serene river with swimming ducks as others fly above; all on a gold leaf background; good antique condition with minor overall even patina and wear
MADELEINE LIEPE (Oregon/Switzerland, 1929-2017) Signed lower right and dated 1970, signed again and titled verso; the serene charcoal drawing of lush trees surrounding a pond with a gently rolling lawn in the foreground; good clean condition with only minor discoloration; new acid-free matting with gilt fillet and ebonized wooden frame; Madeleine Liepe was a Postwar and Contemporary artist who spent her professional career in Oregon.
an accomplished California artist and a master at capturing the mood of the sea with her impasto technique, laying on thick layers with visible brush and painting- knife strokes as the sea almost comes off of the canvas; excellent condition; minor wear to frame; with old gallery label on the reverse; Kent once said "I feel I know the sea in most of its moods, but it will take years to get it all on canvas."
the pastoral setting depicting three grazing cows in a lush green field below billowing clouds; signed 'A J Groenewegen' lower left
Alamo Square 2014 - Oil On Canvas By William Stanisich, San Francisco; Signed And Framed Dated 2014 presented by epoca. “Its paths cling to the sides of steep hills. The views are spectacular and after the 1906 earthquake, it was here the surrounding neighborhood set up a tent city to take refuge”.
Susan's energetic, colorful abstract contemporary paintings are based on her study of nature - from flowing water to rolling meadows; her use of thick brush strokes while adding and removing material creates a vivid collage of color and movement; within a thick birchwood frame; signature to lower left and on the reverse; label on reverse; good condition with no visible defects to canvas; minor wear to wooden frame
each large well-rendered painting depicting Chinese vases finely detailed with colorful floral and foliate stems; professionally conserved and re-stretched on new frames; good clear and vibrant colors; excellent condition; newly framed
a nice example of an early abstract expressionist painting conveying the emotional expression and depth of field through layered spontaneous brush strokes; unsigned; The AE movement originated in New York in the 1940s and 1950s emphasizing an artist's liberty to convey attitudes and emotions through nontraditional and nonrepresentational means. Leading figures were Jackson Pollock and Willem de Kooning; professionally cleaned; craquelure; canvas re-stretched on new frame; the canvas floating within a gray stained oak frame
each covered jar decorated with hand painted landscape scenes with cherub detail; good antique condition with some chipping to edges
a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame
with its thick and bold brush strokes creating a textured surface depicting the artist's emotional energy; signed and dated on verso by Salt Lake City artist 'Ann Gallagher 1972 SLC'; good overall condition with clean surface; wear to ebonized wooden frame
fine early piece by listed California "New Masters" painter Kenneth Ray Wilson; contemporary abstract expressionist oil painting in the impasto style with thickly laid layered paint in cool and warm colors; signed lower right, a good quality example of abstract expressionist art; Kenneth finds abstract painting to be the most challenging, “It evolves as you paint it and it takes a longer time as layers of paint need to dry before new layers are added."; Corporate Collections: Price Waterhouse (San Francisco, CA), Wells Fargo Bank (San Francisco, CA), AT&T Corporation (New Yo
each painted with joyous spontaneity successfully mixing the dreamlike and the realistic featuring three beach scenes with dramatic skies and figures scurrying around beached boats; signed 'Ritter' lower left; excellent condition; professionally framed; Laszlo Ritter was a self taught impressionist painter. The Hungarian uprising in 1956 precipitated Ritter's bid for freedom and safety in England at age seventeen. Ritter spent his early years studying the Masters and learning their techniques.
the tall vessel decorated overall with relief decoration depicting birds standing and perched in a water setting amid cattails, water plants and foliate branches; signed 'France' to underside with impressed maker's mark 'St. Andre, Nice'; minor chipping along base; with some professional repairs
Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane at the Art Students League in New York, he took up photography during World War II in Provincetown. His photographs were published by Time Magazine, the New York Times and the Associated Press. Seven of his photographs are included in the Smithsonian’s permanent collection.
each painted canister adorned overall with painted figures amid a gilded and painted landscape; resting on later ebonized turned wooden bases; overall good antique condition with wear and patination to surface; rewired
William Stanisich Watercolors and other works presented by epoca Artist Statement: Why A Signature Style? by William Stanisich. I am drawn to specific light and idiosyncratic forms whenever I encounter them. A few years ago I had a recognition scene. I had been working to capture the light and inner forms of a number of places around the world. But what could be more idiosyncratic and inexhaustible than Land's End? [..] Two distinct series of Milos paintings are included in this website. I have been to Greece six times, never trying to recover antiquity but always seeking clarity and radiance. [..] I love to paint the Night. The first two series of watercolors in this website play with ambiguous spaces and veiled or insolent color, all at Night, which is itself ecstatic and sinister.