of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired
great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired
each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired
one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired
each large and heavy hand-blown lamp with textured surface capped by a splayed crown over a waisted neck and spheroid body; all resting on a custom giltwood base; manufactured in Italy for the Marbro Lighting Company; excellent condition; rewired; later custom giltwood bases
the long shaft of stacked glass orbs above a spheroid body emanating 6 scrolled arms; of white striated glass with gold inclusions; excellent condition with no chips or cracks; can be shortened.
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
of large scale, with long everted neck above a spheroid body all resting on a custom giltwood base; good vintage condition with some wear to surface; rewired
each with spheroid body flanked by shell-form handles; raised on a lively dolphin support over a square base ending in shell feet; rewired and replated with new shades; excellent condition; shades as is
each robust stick with deep cup above a double-baluster support; raised on a tripartite base with spheroid feet; minor wear; excellent condition; newly wired and mounted as lamps
each of compressed spheroid form with incised swirl pattern retaining their chic original conical-form shades; good vintage condition with minor chipping along bottom edge of bases; signed 'O. DuBarry'
each tall lamp composed of a baluster stem above three graduated lotus leaf cups interspersed with giltwood dividers; all raised on a giltwood base; excellent vintage condition with no chips or cracks; rewired
of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination
each of robust scale all in a raku glaze of muted tones of green and blue; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a variety and depth of colors and surface effects; good vintage condition with minor wear; re-wired
each tall and striking lamp in a soft frosted blue glass adorned with raised floral decoration; excellent condition with no chips or cracks
the bottle-form vases now mounted as lamps enameled with cascading holly bush stems over a satin finished glass; excellent condition with no chips or cracks; Leune was a decorating workshop founded in the early 20th century, headed by Paul Daum. The blanks were supplied by Daum Freres. The workshop ceased operations in 1932.
each tall, slender ovoid-form glass lamp decorated with applied green vertical strands; raised on a gold and ebonized painted metal base; excellent vintage condition with no chips or cracks; rewired
these elegant barrel-form lamps with ribbed perimeter bands adorned overall with refined opposing floral and foliate vines; raised on giltwood bases; rewired, no chips or cracks; bases re-gilded; minor rubbing to gilt decoration
each striking lamp of deep purple bullicante and gold aventurine glass with an iridescent surface; raised on a brass octagonal base; excellent vintage condition with no chips or cracks; rewired
the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired
the gracefully shaped lamp of milky translucent glass with solid brass base and cap; excellent condition; rewired; lampshade as is.
each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
each hand-blown lamp produced using the 'murrine' method where patterns are created using glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired