each white glazed lamp with domed faceted lid resting on a conforming body decorated with gilt floral and foliate reserves on a cobalt ground; with geometric perimeter band at the shoulder; mounted on a gilt-bronze base; professionally rewired, excellent vintage condition with no chips or cracks; minor wear to surface
one of the prettiest pairs of chinese lamps that we have had in our inventory; each of slender baluster form adorned with gilt meandering floral vines; raised on a turned giltwood base; excellent condition with minor even wear; rewired
each lamp decorated with meandering branchwork and cherry blossoms; excellent vintage condition with no chips or cracks; rewired; some wear and patina to brass fittings; underside with under-glaze blue stamp 'porcelaine de paris, france, fondee en 1773'
each large bottle-form lamp with iron-red decoration of elegant peacocks in a lush floral landscape setting; raised on giltwood bases; originally purchased at the Plaza House, Okinawa, Japan in 1964; minor wear with no chips or cracks; rewired; bases re-gilded
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
in the Chinese Export style, each colorful bird with turned head modeled standing on a pierced rockwork base; all raised on black painted metal and brass bases; marked 'France' on underside; Provenance Sotheby's Arcade Furniture & Decorations Sale 1994; from a Greenwich, CT estate; drilled and rewired; excellent condition with minor rubbing and patina to brass base; small chip professionally restored
a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired
these vintage lamps are a beautiful example of 1960s Danish design; designed by Kai Lange and produced by Fog & Mørup in collaboration with Royal Copenhagen; each bottle-form lamp with long neck and gently tapering body adorned with blue hand-painted thistles on a white ground; fully marked to underside; good vintage condition with no chips or cracks; professionally rewired
the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition
the striking ovoid vessel with fish-mouth opening; painted overall with large leaves and bamboo shoots all on a white ground; with underglaze blue markings to underside; The first porcelain factory in the town of Marktredwitz opened in 1872 and was known under the name of Porzellanfabrik Jaeger, Thomas & Co. until Fritz Thomas quit in 1898, opening his own factory in 1903. In 1908, the “F. Thomas, Marktredwitz” factory was purchased by Rosenthal, ceasing operation in 1960.
each richly-colored porcelain ginger jar of canary yellow with a dark green decoration of a warrior with sword above the bulbous body with a warrior on a horse among foliate decoration; on gilt-wood bases; excellent condition; rewired
each with brass fittings and of conical form above a square plinth with harlequin pattern of vertically arranged contrasting diamonds all on an ivory ground with gilt flecking; good vintage condition with minor wear and patina; rewired; height: 14.5" (top of porcelain) 23.5" (top of shade) width: 4.5" depth: 4.5"
each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding
mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface
each with cylindrical neck above a tapering body adorned overall with lappet and scrollwork perimeter bands and chevron decoration; raised on wooden bases; good condition with no chips or cracks; professionally rewired; property of an East Hampton collector
Designed by Marbro Lamp Co., each ovoid-form lamp decorated with slender wheat sheaths resting on a gilt-metal base over an ebonized wooden stand; excellent condition with no chips or cracks; re-wired and re-gilded; signed on underside; Camille Tharaud first studied chemistry as a young man, but after an injury during WWI, he convalesced in Limoges, France where he began his work with porcelain, opening up his own factory in 1920.
each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired
Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on giltwood bases; small areas professionally restored; rewired
Attributed to Samson, Paris; each trumpet form vase with bulbous mid-section adorned overall with graceful meandering floral vines; now mounted as lamps on gilt-metal bases; excelllent condition with no visible chips or cracks; professionally cleaned and rewired
possibly French; each of double-gourd form with applied floral and foliate vines raised on a white painted wooden base; both lamps have scattered losses; minor wear painted wooden bases; professionally rewired
Each of baluster form in the Chinese taste adorned with raised floral vines; resting on a pierced gilt metal base; made by the prominent Frederick Cooper Lamp Company, Chicago; excellent condition with no chips or cracks, rewired.
each lidded double-handled urn adorned with cascading hand-painted bell flower garlands all raised on brass bases; good vintage condition with no chips or cracks; professionally rewired; minor overall wear
each ovoid vase with raised decoration at the neck and adorned overall with raised medallions all on a pale blue ground with painted cloud scrolls; the vase flanked by applied ring handles; each marked on underside; the vases were vetted in 1992 by the curator of Japanese Ceramics at the San Francisco Asian Art Museum as well as the director of the Kyoto National Museum, and determined to be produced in Kyoto by the Fifth Family of Dohachi potters, circa 1880; a note was found inside from a U.S.
each with flaring neck above square-form tapering body all in a richly-colored red-orange glaze decorated with subtle gilt floral vines; resting on a wooden ebonized base; good vintage condition with no chips or cracks; rewired
each of muted celadon glaze decorated with gilt designs; raised on stepped brass bases; excellent condition; rewired