the oval mahogany tray centering an inlaid fan shell with outer perimeter stringing; with a gallery edge fitted with brass carrying handles; excellent antique condition with warm patina
the tall ovoid vase designed in 1959 by Bodo Mans; adorned overall with colorful enameled patches on a black matte ground; incised mark to underside; excellent vintage condition with no chips or cracks; minor overall rubbing to surface
the large ovoid-shaped vessel with short neck above a tapering body; adorned with nine painted triangles all joined by crossing black stringing; excellent vintage condition with small repair to chip on foot
with cylindrical spout above a bulbous body adorned overall with a fiery red-lava-over-brown glaze; excellent vintage condition with no chips or cracks; some wear to surface
with pinched spout above a portly body with squared handle; all in a controlled dolomit glaze over brown in a striped pattern; signed 'Ceramano Hand Albeit' to underside; excellent vintage condition with minor surface rubbing.
with flaring neck above a portly body all in a fiery red-over-black glaze; raised mark to underside; excellent vintage condition with no chips or cracks
each of rectangular form with raised offset concentric rings or 'ripples' all in a deep blue on black glaze; excellent vintage condition with no chips or cracks; STEULER was founded in Höhr-Grenzhausen, a center of the ceramic industry in the Rhineland's Kannenbäckerland, in 1917. STEULER reached its artistic zenith in the 1960s and '70s and is best known today for the inspiring designs of Cari Zalloni.
West German Art Pottery vases with rectilinear body decorated in a rich royal-blue glaze with mottled drip-glazing to the shoulders; labeled with markings to underside; excellent condition with no chips or cracks.
the tall slender ewer with pinched spout above an ovoid body with graceful looped handle; all in a luminous raku glaze with areas of teal showing through; typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
