of quite large scale, the square Moorish tables with intricate mosaic inlay overall above a stick-and-ball carved openwork apron over arabesque spandrels; all raised on turned feet; minor surface wear throughout; some repair and fill-in to inlay; excellent overall condition with minor repairs
'Sand Dollar' pattern made by the McCoy Pottery Co., Roseville, Ohio; each double-handled vase of ovoid form in a matte bone-white glaze with relief decoration; now drilled as lamps with custom giltwood bases; marked 'USA' to underside; rewired; with minor manufacturing glaze imperfections; some fine craquelure to glaze; excellent vintage condition commensurate with age
the meticulously crafted chest with book-match veneered rosewood rectangular top with concave front; above three similarly veneered drawers fitted with shell-form enameled pulls, centering well-figured walnut burl wood panels; raised on inlaid turned supports; with metal identification label "Robert W. Irwin, Grand Rapids"; excellent condition with refreshed finish; some rubbing to enameled pulls
with sloping in-curved back over a loose cushion seat flanked by fluted supports capped with carved snail shells; excellent restored condition with refinished surface; newly upholstered
Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane at the Art Students League in New York, he took up photography during World War II in Provincetown. His photographs were published by Time Magazine, the New York Times and the Associated Press. Seven of his photographs are included in the Smithsonian’s permanent collection.
with strap handles flanking a reeded ovoid body adorned with a foliate perimeter band; all raised on a splayed foot; overall wear with some discoloration; old hairline crack to rim
in the style of Irénée René Rochard; of stylized form displaying great movement, the racing greyhound catapulting forward; resting on a sphere over a square plinth; overall even patina to surface; unsigned
executed in a well-figured tiger-mahogany with mahogany secondary wood, having a shaped top, above the four drawer case with chromed pulls all flanked by two doors; raised on splayed supports with chrome sabots; excellent vintage condition
a well-thought out composition as the table plain draws the viewer into the room of a seated woman with distant gaze dressed in a blue jacket; the table set with a bowl of fruit, a goblet and plant; all within a silver-leafed carved wooden frame with linen slip; excellent condition professionally cleaned and restored; unsigned; later frame
