fine early piece by listed California "New Masters" painter Kenneth Ray Wilson; contemporary abstract expressionist oil painting in the impasto style with thickly laid layered paint in cool and warm colors; signed lower right, a good quality example of abstract expressionist art; Kenneth finds abstract painting to be the most challenging, “It evolves as you paint it and it takes a longer time as layers of paint need to dry before new layers are added."; Corporate Collections: Price Waterhouse (San Francisco, CA), Wells Fargo Bank (San Francisco, CA), AT&T Corporation (New Yo
the well-figured circular top raised on elegantly splayed supports all joined by a lower shelf; excellent vintage condition; maker's label 'Widdicomb designed by T.H. Robsjohn Gibbings'
each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer
of iconic 1950's Italian design fitted with 4 doors opening to reveal a mahogany-lined interior with adjustable shelves; can be used for a television or general storage; excellent vintage condition with restored finish
each with incurved upholstered back with bentwood crest joining abbreviated arms above loose cushions; all raised on turned supports; good vintage condition with new upholstery
each painted with Chinoiserie decoration beneath a cased-glass surface giving them a beautiful luminescent quality; on reticulated ebonized bases; excellent vintage condition; rewired
each bottle-form lamp with long cylindrical neck above a bulbous body all in a peach and white crackle glaze with gilded highlights; by Frederick Cooper Lamp Co., Chicago; good vintage condition with no chips; fine overall craquelure to glaze; rewired
classic chairs designed by T. H. Robsjohn-Gibbings (1905-1976) for Widdicomb with bleached walnut frames raised on elegant splayed supports; see article by James Buresh, “Timeless Mid-century Modern Design,” Archives of American Art Journal, no. 48, 2009, pp. 30, 33; excellent vintage condition; recently reupholstered with some minor staining
