the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside
the large ovoid vessel tapering to the base; adorned overall with geometric gilt decoration all on a black matte ground; good condition with minor overall wear and rubbing; no chips or cracks
with short flared lip above a compressed body over a cylindrical foot; adorned overall in a deep cobalt blue glaze with raised floral vine and bold acanthus leaves; good antique condition with overall wear; no visible repairs or cracks; some chipping, rubbing and craquelure to glaze commensurate with age
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
of large scale and solid construction, the footed urn flanked by lion head handles and cast with guilloche and egg-and-dart bands; good antique condition with overall even wear and patina
of large scale with wide collar over a bulbous body fitted with expressive lion ring handles; raised on paw feet; could be used as a cooler for beverages; overall wear and patina; good antique condition
Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
