of large scale and solid construction, the footed urn flanked by lion head handles and cast with guilloche and egg-and-dart bands; good antique condition with overall even wear and patina
of large scale with wide collar over a bulbous body fitted with expressive lion ring handles; raised on paw feet; could be used as a cooler for beverages; overall wear and patina; good antique condition
Each hand-carved cup-shaped vessel with Greek key collar above a tapering body resting on a separate square base; overall wear and patina; one side on each urn of darker patina; some chipping to surface; one with replaced Greek key rim
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination
consisting of one ovoid pot and a fish-mouth vase, each in a glossy light-chartreuse glaze contrasting with a matt brown background; Schlossberg Keramik was established in 1946 by Ilse and Theodore Stefan in the North Rhine-Westphalia region of Germany. The name was derived from its proximity to the foot of the 'schloßberg' or castle hill; excellent vintage condition with no cracks; minor overall rubbing to surface; some small fritting to rims
with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks
each oblong planter with everted scalloped rim above a compressed body adorned with raised floral sprays; flanked by loop handles wrapped in foliate vines; raised on splayed bases over paw feet; perfect for indoor use; good antique condition with weathered surface; fitted with later tole liners
