of exceptional quality, each double-gourd form lamp with hand-painted butterflies and raised polychrome floral and foliate vines all on a white glazed ground; height: 18" (top of porcelain 30" (top of shade); professionally rewired and restored with minor replacements to flower heads and vines
the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame
from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water. What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.
in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior shelf; the tops adorned overall with radiating fan decoration within a scalloped inlaid border; the sides with intricate urn-form marquetry panels and crossbanding; all raised on square tapering supports; good condition with professionally restored finish; minor veneer replacements
the circular tabouret with new decking above a rope-twist giltwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new taupe leather upholstery with saddle-stitch detailing.
the octagonal forest-green marble top with painted inlaid scrollwork surrounded by floral and foliate decoration; all raised on a neoclassical style Michael Taylor faux stone cross tripod lyre base; overall good condition with some minor chips to base; minor even wear to top
the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
the well-defined athlete with contorted body about to begin his throw; with beautifully delineated face, hands and feet wearing sheer, form-fitting shirt and shorts; excellent condition with only minor wear; some discoloration
Each with sloping in-curved crest rail over vertical spiral-carved stiles; joining a U-shaped tight seat above a reeded apron all raised on cabriole supports joined by a carved X-form stretcher; professionally restored with warm patina and new leather upholstery
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
