the large sturdy hand-carved table of pegged construction with shaped rectangular top of matchbook European walnut veneer above a scalloped apron with rocaille carving; all raised on bold cabriole supports ending in hoof feet; structurally sound; intentionally distressed finish to imitate age; minor overall wear and rubbing; professionally polished and waxed
of baluster form with long neck and everted lip above an ovoid body with splayed foot; the densely-painted and colorful flowers at the shoulder above delicate cascading wisteria; excellent vintage condition with no chips or cracks; only minor wear; professionally rewired; vase now drilled and mounted as a lamp
each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost'; good vintage condition with no chips or cracks; light wear to frame
from the Vista Alegre Porcelain Factory (founded 1824) each rectilinear vase with flared neck above a tapering body ending in a splayed foot; hand decorated overall with vibrant floral and foliate vines; maker's mark to underside; now drilled and mounted as lamps; with custom giltwood caps and bases; professionally rewired; only minor wear from use
a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks
from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."
from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."
from the bay area figurative movement; artist note: "toni could adopt any guise. as you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. she could be young, middle-aged or timeless, she could evoke a classical goddess, an african queen, a con- temporary urbanite, a peasant maid."
from the Bay Area Figurative Movement; Artist note: "Toni could adopt any guise. As you see in these drawings, she could be worldly or virginal, voluptuously naked or costumed, topped by one of her many hats. She could be young, middle-aged or timeless, she could evoke a classical goddess, an African queen, a con- temporary urbanite, a peasant maid."
Each custom bead-embellished silk pillow with gold braid and fringe; the silk reverse panel with braid detail; designed and made by Morrison & Company (metal label attached) originally sold through Baker, Knapp & Tubbs; two square and one rectangular; the rectangular pillow with water stain to reverse panel; overall good condition with beads intact
