each tall lamp of hexagonal form tapering to the base; all in a translucent drip glaze in hues of blue and green; excellent condition with no chips or cracks; rewired
this very peaceful painting composed of many layers of paint and varnish creating complex hues beneath a silky, soothing surface; Chiu finds her inspiration from her personal spiritual journeys to Mexico and India
milos series – watercolor on paper 2000-2013; a series inspired by the legendary greek island, milos, with a ‘kaleidoscope of minerals, colors and water caves’. san francisco painter, william stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “i have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
the square table with serpentine sides with four matching chairs barrel-back all with faux bamboo supports; new leather upholstery; Barnard & Simonds Co. (1898-1967) Rochester, NY moving to Grand Rapids, MI in 1959, purchased by Baker Furniture in 1967
Milos Series 2000-2013 (watercolor on paper) A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to
