surmounted by a bold foliate crest above an openwork floral basket over a reticulated frame of cascading floral vines, lively acanthus leaves, rocaille and C-scrolls; good antique condition with refreshed gilding; overall even wear and patina, later mirror plate; some elements re-glued
each with tall incurved cartouche-shaped upholstered back with arbalète crest tapering to downswept padded arms flanking a loose cushion seat; all above a bowed scalloped apron raised on cabriole supports adorned with foliate carving; minor wear and soiling to fabric; one cushion with water stain; overall good vintage condition
possibly French; each of double-gourd form with applied floral and foliate vines raised on a white painted wooden base; both lamps have scattered losses; minor wear painted wooden bases; professionally rewired
the Calacatta Viola marble top with bowed front and concave sides inset within an ogee molded edge; over a deep apron with rocaille and acanthus carving; raised on cabriole supports with similar rocaille and acanthus decoration with cascading bell flowers all ending in foliate carved feet; joined by an x-form stretcher of alternating C-scrolls culminating in a lively rocaille carved flourish; good antique condition with overall wear and patina with minor chipping; small areas of refreshed gilding; some discoloration to original top with old repair to one corner
of pegged construction the serpentine top with hand-tooled maroon leather insert above a shaped apron fitted with 3 drawers adorned with rocaille brass escutcheons; all raised on graceful cabriole supports; professionally refinished; replaced leather top
each with cartouche-shaped back above a shaped tight seat all raised on cabriole legs; the whole adorned with rocaille and foliate carving; professionally refinished, strengthened and reupholstered.
the shaped leather seat above a conforming frame adorned with carved rocaille and foliate motifs all raised on cabriole supports joined by an undulating stretcher; good antique condition; professionally refinished with new embossed leather upholstery
the cartouche mirror plate within a conforming giltwood frame with floral crest above an openwork frame of acanthus and rocaille carving all flanked by the mythical Ho Ho bird with one bird upright and the other downward; the Ho Ho bird was originally seen in Asian artwork and symbolizes good fortune and longevity; overall even wear and patina to re-gilded surface; later plate
centering a convex mirror within a brass frame surrounded by lively cut brass foliage; later mirror; wear and patina to metal; possibly once fitted with a clock