The serpentine marble top above a conforming body having two drawers fitted with foliate bronze hardware all over a scalloped apron. adorned overall with floral and foliate inlaid olivewood reserves on a black walnut ground; good antique condition with small areas of replaced veneer; professionally refinished; some age and patina to later marble top
the serpentine top above a bombe-form body fitted with three drawers adorned with bold bronze foliate mounts; all in a well-figured and richly patinated black walnut veneer; excellent antique condition with minor veneer replacements; later hardware
the rectangular quarter-veneered top with banding and molded edge over a burlwood frieze drawer above a scalloped apron; all raised on cabriole supports ending in pad feet; overall wear and patina; brasses replaced
the scrolled openwork back with craved green man mask flanked by lively floral and foliate scrollwork above a classical flaming urn flanked by serpent handles; good restored condition with re-glued and refinished frame; refreshed leather seat
Elizabeth Blackwell (Scottish 1707-1758) was the first British female botanical illustrator who also was the first woman to draw, etch and color her own engravings. Blackwell is notable for her publication "A Curious Herbal" in 1735 raising funds to free her husband from debtors prison; new giltwood frames, acid free matting and ebonized fillets (matt color does match); minor overall discoloration to paper with some creasing; PRICED INDIVIDUALLY
purchased in Rome in the 1980's, the well-carved chubby winged putti in opposing stances and poised on one foot over a rock-work base; depicting the grape harvest also known as the allegory of autumn (see detail image of Jean-Jacques Lagrenée's 'Putti Harvesting Grapes'); interior image courtesy 'Edward Lobrano Interior Design', NYC; excellent antique condition with overall rubbing to refreshed gilding
the rectangular top with shaped ends over a conforming case incorporating two long drawers and a pair of paneled doors; raised on rear bracket and front bun feet; the whole retaining original pale-sage painted decoration on an ochre painted ground; originally purchased from Therien & Co., San Francisco; solid condition; overall wear and patina to surface
the later nine-section mirror plate secured by rosette clips with a bolection moulded frame; the heavily patinated gilt frame retaining traces of original silver gilding; originally purchased from Therien, San Francisco
fine example of a reverse-glass still life painting with lush floral stems over newly-sliced pomegranates, plump grapes, red cherries and pears with two small hidden birds; exposed section on back with script describing the gifting of the painting to William Schroeder from his Aunt Hickson in 1849. The painting was originally owned by Schroeder's grandfather (Hickson's father), German-born Valentine Schwarz and was described as Schwarz' 'favorite picture'; most-likely the painting was brought from Germany by Schwartz in the 18th century settling in Frederick Town, Maryland
