each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina
the French made cased-glass bodies of graduated triple-gourd form resting on brass bases; in a deep teal color accentuated by the cased-glass process of fusing together multiple layers of glass; each with foil label 'BASE MADE IN FRANCE'; height: 17" (top of glass) 28" (top of shade); excellent condition with no chips or cracks; some pitting and patina to brass bases; professionally rewired
a stylish French 1940s brass rectangular coffee table with inset black glass top; with black glass top inset within a brass frame raised on reeded supports with stylized melon-form caps all joined by a lower x-form stretcher; later glass; good vintage condition with overall even wear and patina
of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric
each with oval-shaped bowl flanked by outscrolled handles all raised on a splayed oval base ending in a raised laurel leaf perimeter band; good antique condition with overall even wear and patina; rubbing to gilding; no chips or cracks
each large-scaled curule bench with semi-detached seat flanked by flared openwork arms with turned double-baluster stretchers; all raised on down-scrolled supports ending in paw feet all joined by turned stretchers; good antique condition; professionally restored with refinished surface and new upholstery
each of good proportion the ribbon crest above an oval caned back over a serpentine caned seat flanked by open arms; all raised on turned fluted supports ending in toupie feet; good restored condition with professionally restored finish; cane in overall good condition; caned seats replaced
each of large scale and classically-inspired design with patinated steel frames adorned with neoclassical gilt-bronze pine cone finials and stylized acanthus leaf collars and feet; later smoked glass shelves; good vintage condition with some oxidation to steel surface
each neoclassical open armchair with beaded framed oval back above a bowed tight seat over a beaded apron flanked by scrolled arms and uprights with acanthus carving; raised on reeded and fluted supports with acanthus collar and ending in a spheroid foot; wear and patina to refreshed painted surface; sturdy frame and good antique condition with new upholstery
the circular tabouret with new decking above a rope-twist gilwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new leather upholstery .Seat furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne.
