A stunning ash desk designed by Paul Lazlo for Brown Saltman c.1950s ,USA as part of the "Basket Weave" collection; this classic California Modern design features two cabinet doors flanking the kneehole; one door opens to reveal an open shelf while the other provides three sliding drawers. It also has a center drawer with dividers for desk accessories and such. This piece can also be used as a console table. Stamped - Brown Saltman Co - South Gate, California; good vintage condition with professionally refinished surface
each richly-glazed lamp in a mottled chartreuse glaze with lobed collar above a short flaring neck over a lobed body resting on a splayed base; good vintage condition with no chips or cracks; rewired
the framed incurved upholstered back above a loose cushion seat flanked by graceful sling-form arms; all raised on tapering turned supports ending in ebonized feet; good vintage condition; nice warm patina to professionally refinished surface; newly upholstered
in a deep brown lacquer finish; the openwork lattice back and sides flanking a tight seat; with sloping arms joining a channeled apron all raised on gently splaying supports; good vintage condition; professionally refinished a reupholstered
of sturdy construction consisting of a solid oval walnut top in a chevron pattern resting on a chrome quadruped base; a versatile piece that can be used as a desk, conference table or dining table; the wooden top has been professionally refinished and has a rich honey-colored patina; Florence Knoll (1917-2019) was an internationally renowned American architect, designer and entrepreneur who has been credited with bringing modernist design to office and residential interiors. Knoll Associates was a leader in the field of furniture and interior design.
the bullet-form vase in gray glass with oculus opening above a frosted upper section over a carved faceted lower portion tapering to the base; this chiseled glass method is similar to the 'Battuto' style made by Ferro Battato in Murano; 'Rosenthal' acid etched signature to underside; good vintage condition with no chips or cracks; minor wear and abrasions overall and to underside
each of organic form composed of half-round and ribbed glass shades with waisted mid-section and scalloped top and bottom; the interior rolled in a golden crushed glass (graniglia glass) allowing the shade to emit a warm glow; the later gold painted backplates fitted with 2 chandelier bulb sockets; excellent condition with no chips or cracks; minor rubbing to backplates; newly wired
A good example of Blenko hand-blown glass by artist Joel Myers, each with long neck above a bulbous body fitted with a water-drop solid glass stopper all in a cerulean blue clear glass; with pontil marks to underside; crafted using the Venetian free-blown glass technique so slight variations may occur; good condition with no chips or cracks
the rectangular inset glass top within a gilt-iron frame with canted corners all raised on graceful cabriole supports; joined by an arching and interlacing stretcher; new glass; overall rubbing and wear to gilding; good sturdy frame
each lamp by Swank Lighting in a magical textured chartreuse-colored glass with a frost-like translucent finish creating a blurry surface allowing scattered light to pass through; each with foil 'Swank Lighting' label; raised on giltwood bases; good vintage condition with minor rubbing to gilding; professionally rewired; no chips or cracks
