the rectangular mirror plate within a classically-inspired giltwood frame with beaded slip and leaf band outer edge all framed by an aqua painted border; the whole surmounted by a lively carved crest centering a foliate medallion flanked by scrolled acanthus leaves; with paper 'Borghese' label adhered to back; professionally refreshed surface with overall even wear and patina; some loss to silvering
each classically inspired obelisk form lamp of imposing size all in a creamware glaze featuring classical relief motifs of bell flowers, floral wreaths, arrows, shells and ribbons; each resting on ebonized wooden bases; professionally rewired; good condition with minimal wear
each hand-carved chair with tall openwork back scrolling scrst above a vasi-form splat; all above a tight upholstered seat raised on elegant cabriole legs all joined by a shaped H-form stretcher; professionally refinished with a warm patina; structurally sound with intentionally distressed finish to imitate age; upholstery generally good overall with one seat worn through
an elegant and antique pair of hand-blown Murano trumpet or amphora vases having a defined rolled lip above a tapering body with vertical optic stripe all raised on a waisted foot and flared circular base; pontil scar to underside; due to their handmade nature, there are asymmetries, bubbles, lines and variations in color; good antique condition with no chips or cracks
the mid-century chest in the rococo taste having a shaped top above a conforming bombé-form case with three drawers featuring ornate bronze pulls; over a scalloped apron all raised on splayed supports; the whole in a well-figured and richly patinated olivewood veneer; 'Made in Italy' label affixed to back; good vintage condition; professionally refinished
antique neoclassical figural sculpture in cast in bronze depicting a winged cupid with arrows and quiver raising a well-delineated leaf-form vessel while standing on a turtle pedestal; beautiful craftsmanship and detailing; unknown artist with no noticeable signature or maker's mark; modeled after Franz Von Stuck (German 1863-1928) Nautilus Cup; good antique condition with overall even wear and warm patina
the finely carved frame encircled by a floral and foliate garland in high relief all surrounding the original mercury plate; overall even wear and patina; age and antiquing to mirror plate
composed of a gilt-metal basket-form frame emanating 8 candlearms; adorned overall with crystal flower heads, beaded leaves and crystal pendants; good vintage condition with overall even wear to gilded surface; professionally rewired
the impressive vessel with everted lip above an ovoid body flanked by double mask handles all over a splayed foot; painted overall with a female figure and putti in a landscape setting with a similar design on reverse; underglaze mark to undersize; professional repair to lip; good antique condition with some wear
the tall sculpture characterized by its simplified, geometric forms, elongated facial features, and mask-like appearance it features stylized marquis-shaped eyes, a prominent nose forming a blade-like shape, and a small mouth, all over a long, cylindrical neck and square plinth; finely carved and with polished finish from a block of rosso allicante marble; overall even wear with chipping to base
