the ovoid pot with short neck above a tapering body adorned with carved relief decoration depicting parrots; patina and fine craquelure to glazed surface; repaired chip to inside of lip
incised signature to underside "Dave & Boni Deal 88"; of tall ovoid shape decorated overall with impressed leaves on a metallic, rainbow effect raku glaze; the western version of raku was developed in the 20th century by studio potters. typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. the western process can give a great variety and depth of colors and surface effects as seen with this vase; good vintage condition with no chips or cracks
of extra large scale and composed of contrasting metals; with wide protruding mouth connected to the ovoid copper body by a brass riveted ring all joined by a large brass ear or handle; good antique condition with overall even wear and patination
with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks
this handsome one-of-a-kind hand-crafted vase of beautifully figured walnut and birdseye maple; good vintage condition with professional repair to base of neck
each heavy hand-thrown stoneware lamp with incised abstract decoration; each signed "RT74"; possibly by artist Ron Taylor who studied under Ken Ferguson at the Kansas City Art Institute; good overall vintage condition; rewired
each signed and hand-thrown jar-form pot decorated with abstract foliate fronds; all glazed in earth tone colors of russet, brown and ochre; excellent vintage condition with no chips or cracks; rewired; Eric Norstad (1924-2013) was an American potter and architect who worked primarily on the west coast of the United States.
wonderfully re-purposed mirror of solid construction composed of 33 wooden shoe molds mounted on a circular wooden frame; overall wear and patina with areas of missing wood
the cerused oak blackplate centering a beveled mirror flanked by 2 similar mirrors with mirrors on the reverse; fitted with a steel and chrome hinged framework; age to plates; good antique condition
