a good example of abstract expressionism with its bold, thickly applied paint in the impasto style with great depth of color; good vintage condition; all in an ebonized wooden frame; remnants of gallery and framing company labels on reverse; signed lower right
a good example of American Impressionism with its thickly applied paint capturing the shifting effect of light and color; Hugo Melville Fisher (1878-1946) was active in California and is best known for his seascape and marine paintings. Born in Brooklyn, and the son of artist Hugo Anton Fisher, the Fisher family moved to Alameda, California in 1886.
Finely-detailed painting of the clipper ship 'Matchless'; One of America's foremost maritime painters, Antonio Jacobsen (1850-1921), esteemed painter of schooners and steam vessels, is revered by aficionados of American maritime history; signed and dated lower right 'Antonio Jacobsen 1918'; provenance: Label verso from David Bendann's Fine Art Rooms, Baltimore Street, Baltimore, Maryland
this very peaceful painting composed of many layers of paint and varnish creating complex hues beneath a silky, soothing surface; Chiu finds her inspiration from her personal spiritual journeys to Mexico and India
milos series – watercolor on paper 2000-2013; a series inspired by the legendary greek island, milos, with a ‘kaleidoscope of minerals, colors and water caves’. san francisco painter, william stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “i have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Signed on reverse 'Dutch Galliot at Harbour Mouth'; a galiot was a type of Dutch merchant ship similar to a ketch, with a rounded fore and aft with flat bottoms to sail in shallow waters; excellent restored condition with professional repair; some wear to original giltwood frame; overall craquelure to glaze
Milos Series 2000-2013 (watercolor on paper) A series inspired by the legendary Greek Island, Milos, with a ‘kaleidoscope of minerals, colors and water caves’.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to
