a handsome hand-crafted vintage American half-hull wooden boat builder's model constructed of laminated mahogany and maple in a warm honey-toned patina; within the original wooden frame with later black leather backing; the half-hull models were used to commemorate the launching of a vessel
and given to the owner, or may have be been used by the builder as a sales tool to show prospective customers; hull measurement: h 6" w 29.5" d 4"; good vintage condition with minor overall wear and patina; with some indentations to frame and hull
a tall and fantastic pair of sculptural arm chairs, each with tall back above a bucket seat flanked by outscrolled arms; raised on splayed walnut supports with a single wishbone support on the reverse; sturdy and stable with new upholstery; professionally refinished
the thick oval glass top with ogee edge resting on a conforming neoclassical style brass base raised on four columnar supports terminating in hoof feet all joined by incurved perimeter stretchers; good vintage condition with minor pitting and patina; sturdy frame; no chips or cracks to glass with some wear to surface
an early 1950s production Florence Knoll for Knoll International lounge chair with loose back and seat cushions all resting on four turned tapering legs; professionally refinished with new butter-yellow linen upholstery; excellent vintage condition with sturdy hardwood frame
A stunning mid-century Hollywood Regency wall mirror dated January 1956 en verso; the tall rectangular mirror plate within an exceptional undulating glass frame of clear and etched mirrored glass with chrome mounts at each corner; excellent vintage condition with no chips or cracks; some foxing to mirror
the rectangular upholstered seat above a scalloped Moorish-style apron all raised on cabriole legs ending in a trifid foot; overall warm patina to surface; newly upholstered with sturdy frame
of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders; centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic) 35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired.
each hand-blown shapely lamp with a nod to Chinese ceramic ginger jars composed of a luminous crackle-glass; all resting on gold painted wooden bases; height: 15.75" (top of glass) 26" (top of shade); good vintage condition with no chips or cracks; rubbing to gold; professionally rewired
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
from his Potrero Hill studio, San Francisco artist Bill Stanisich would lay down his brush and gaze down onto Yerba Buena Island, the Bay Bridge and surrounding water. What he saw was ever-changing so he decided to capture on paper the various moods of mother nature. On still, clear nights, the water was a sheet of glass and Yerba Buena Island's silhouette soaked up the darkness creating a black void, while the tips of the Bay Bridge Towers emited beacons of light in the distance. When it rained, vague shadows were barely visible through the wet, dark skies.
