the square upholstered seat above a stick and ball carved openwork apron surrounded by an intricately inlaid body; raised on square supports joined by arabesque spandrels all over turned feet; good antique condition with overall even wear and patina; small areas of replaced inlay; new leather upholstery
the open back with carved Greek Key rail above reeded downscrolled arms with foliate carving; all raised on curule form legs joined by turned stretchers; good antique condition with deep patina and overall even wear; minor wear to upholstery
The inset oval-form leather seat above a plain frieze apron; all raised on beautifully carved cabriole legs ending in hoof feet; excellent antique condition; professionally polished; new leather upholstery
The central mirror plate within an outer frame of geometric reverse-etched mirrored elements secured with glass floral-form posts; good antique condition with no cracks to original mirrored panels; three outer ropetwist glass rods with minor cracks
with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches
the cerused oak blackplate centering a beveled mirror flanked by 2 similar mirrors with mirrors on the reverse; fitted with a steel and chrome hinged framework; age to plates; good antique condition
a good example of American Impressionism with its thickly applied paint capturing the shifting effect of light and color; Hugo Melville Fisher (1878-1946) was active in California and is best known for his seascape and marine paintings. Born in Brooklyn, and the son of artist Hugo Anton Fisher, the Fisher family moved to Alameda, California in 1886.
having a long apron drawer above a two door cabinet, flanked by two single door cabinets; decorated overall with inlaid marquetry depicting classical motifs of swags, wreaths and urns; excellent antique condition; small areas of replaced veneer
each crafted from hardwood inlaid with exotic materials, i.e. ebony and bone, surmounted by an inset woven double-coved seat above an intricate openwork apron all raised on turned supports; good vintage condition