each candlecup supported on a spiraling shaft all over a circular drip pan; good vintage condition with areas of wear; remants of maker's label to underside

each with an embossed leather box seat above an ash frame with plain frieze apron raised on faux bamboo splayed legs all joined by a perimeter stretcher; excellent vintage condition; professionally polished and reupholstered

Sasha Makovkin typically threw pieces which his wife Susan decorated. His work ranged from functional stoneware forms to sculpture and architectural installations. Makovkin dug the stoneware clay he used for his functional pieces from Mt Tamalpias. Long before it was popular, Makovkin fired his work in a diesel fueled kiln using a mixture of used motor oils. 1954-1957 Heath Ceramics, Sausalito, California; 1966-1970 College of the Redwoods, Mendocino, California; 1988-1989 Artists (with his wife Susan) in Residence at Princeton Seminary, New Jersey

with high and enclosed hollowed-out back above a loose cushion seat; resting on wooden legs joined by an H-stretcher; excellent vintage condition; newly upholstered; the Porter's chair was placed at the front door to be used by a household servant who awaited a visitor's knock. The design enveloped the servant for warmth and protection from the cold breezes as the door was opened and closed.