each hand-blown lamp produced using the 'murrine' method where patterns are created using colored glass canes and are revealed when the cane is cut into thin cross-sections; each then covered in a clear overlay of glass called "“incamiciato”; excellent vintage condition with no chips or cracks; wooden bases re-gilded; rewired
of openwork pineapple form in a gray and subtle verdigris finish with flared top above a bulbous woven body raised on splayed feet; glass top not included; structurally sound with expected wear and patina to the iron surface from outdoor use
each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired
of classical krater form with an ovoid body flanked by upright handles all in a rich faux-burlwood amber-colored glaze; excellent vintage condition with minor overall wear; rewired
each with slender waisted neck above an incised bulbous body raised on a chamfered plinth; old paper label 'SG Made in Italy"; excellent vintage condition with minor wear; rewired
appears to be a one-of-a-kind, shop-made bronze table in the neoclassical taste fitted with two glass shelves with openwork Greek Key apron and gallery; would make a great bar; the heavy and solid frame with charming hand-made imperfections
the tall triple-baluster lamps all in a white glaze with applied coral, black and mustard accents; excellent vintage condition with minor wear; no chips or cracks; rewired
each of colored satinato glass with domed lids above a cylindrical body over a splayed foot; good vintage condition with one minor chip to green jar lip
with everted neck above a compressed body covered overall in an iridescent multi-layered glaze of cobalt blue, greens and yellow; incised signature to underside; The Western version of Raku was developed in the 20th century by studio potters. Typically fired at high temperatures, the wares are placed in an open-air container filled with combustible material, unlike the traditional Japanese method. The Western process can give a great variety and depth of colors and surface effects as seen with this pot; good vintage condition with no chips or cracks