Excellent vintage condition with no chips or cracks; KöniglichePorzellanManufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
the black banner with embroidered decals of the Palace of Varied Industries, flowers, and a seal; along with the opening day ribbon with button and pin; good antique condition with minor wear to the edges; repair to ribbon;
The Panama–Pacific International Exposition was a world's fair held in San Francisco, California, from February 20 to December 4, 1915 to celebrate the completion of the Panama Canal, but was widely seen as a way to showcase San Francisco's recovery from the 1906 earthquake
the hand-crafted asymmetrically-formed clear glass bowl with its radiating arms; labeled 'Made in France' with remnants of foil Cofrac Verrier label; acid etched signature to underside 'Cofrac, Art Verrier, France'; excellent vintage condition with no chips, cracks; very light scuffing to underside
each hand-painted urn adorned overall with an abundance of flowers and opposing song birds; excellent vintage condition with minor wear; one with small chip to underside
each with solid brass tilting barrel resting on a heavy-weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination
milos series – watercolor on paper 2000-2013; a series inspired by the legendary greek island, milos, with a ‘kaleidoscope of minerals, colors and water caves’. san francisco painter, william stanisich, captures the sheer beauty of this island in these paintings and as the artist stated “i have allowed my imagination the freedom to create a realism more accurate than mere mimicry”.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.
Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.