with waisted brass collar above a double-baluster ceramic body all in a richly-colored sapphire-blue drip glaze; excellent vintage condition with no chips or cracks; fine craquelure to glaze; rewired

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

each with rectangular top above a swag-carved apron with giltwood tassel decoration all fitted with a single drawer; raised on square tapering supports over a splayed base; excellent condition

each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; good vintage condition with new leather upholstery; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School for Arts and Crafts. He led a successful design business until his death in 1994 working with such designers as Poul Kjaerholm and Bodil Kjaer

each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant and clear colors; rubbing and patina to gilding

the large bottle-form lamp in a richly-textured burnt-orange crater-glaze; excellent condition with no chips or cracks 

each cube-form chair with 'floating' backrest above a tubular chromed steel base; newly upholstered in a butter-yellow velvet with foam wrapped down cushion and seat; minor wear to chrome; Milo Baughman (American, 1923–2003) was a furniture designer who was born in Goodland, KS. After studying at the Art Center School of Los Angeles and the Chouinard Art Institute, he joined Frank Brothers as a custom furniture designer. In 1947, Baughman established Milo Baughman Design, Inc.

a versatile lamp that can be used in multiple settings, of thick hand-polished crystal with its ethereal reflective quality allowing light to penetrate changing from day to evening; all resting on a brushed chrome base; the obelisk was originally constructed by Ancient Egyptians and later used by the Greeks who described them as obeliskos; excellent condition with no chips or cracks

with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded

the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired

this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base

The serpentine marble top above a conforming body having two drawers fitted with foliate bronze hardware all over a scalloped apron. adorned overall with floral and foliate inlaid olivewood reserves on a black walnut ground; good antique condition with small areas of replaced veneer; professionally refinished; some age and patina to later marble top

the long neck with bulbous mid-section of carved foliate motifs; raised on a tripartite base on 3 scrolled feet; restored condition.

the well-crafted lamp of quilted glass with gold inclusions; excellent condition with no chips or cracks; rewired

of compressed form covered overall in an ivory and brown drip-glaze over a caramel ground; excellent vintage condition with no chips or cracks; rewired

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

a wonderful period English George III hand-carved tilt-top supper/tea table with shell and leaf carved top with circular reserves, over a turned baluster support issuing three downswept legs terminating in ball and claw pad feet; the English supper table became popular during the reign of King George II and continued into the late 18th century; repair to edge of top; refinished surface

the reverse-serpentine top above a conforming body fitted with 3 drawers all in a warmly-colored parquetry inlaid veneer; good restored antique condition with small areas of replaced veneer 

the incurved backrest above a pierced vasi-form splat; above a serpentine seat all raised on turned legs joined by a turned stretcher; warm patina with overall age and wear

the large mahogany oval tray centering am impressive satinwood shell motif surrounded by rosewood banding; raised on a later stand; excellent restored condition

with flared neck above a lobed body all raised on a square plinth; good antique condition with overall weathered  and chipped surface 

the thick and robust beechwood frame with silver-gilt accents surrounding the original antiqued mirror plate; excellent antique condition with well-patinated mirror plate

the lushly painted still life depicting a woven basket full of finely painted bearded irises, parrot tulips, hydrangeas and peonies with discreetly painted bees and a snail; all resting on a draped table; good antique condition; signed lower left: M. Luber München; height: 36" (overall)  26.75" (canvas), width: 28" (overall)  18.5" (canvas); Max Luber (1879-1950) was a German academic painter who studied and worked in Munich. His paintings primarily depict lush, dark still lifes in the Flemish style.

an exceptionally rare size, this Murano glass lamp using the Sommerso technique of layered colored glass; excellent vintage condition with no chips or cracks; rewired