mounted as lamps, each dressed in a white flowing robe holding a large lotus flower standing on decorative brass stands; rewired; professional repairs to fingers; patina to brass surface
each tall ribbed vase painted overall with floral and foliate stems resting on a pierced brass base; good antique condition with overall fine craquelure; rewired
each bulbous lamp with glass encased gilded surface adorned with rococo figures; excellent condition; rewired; lampshades as is.
each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired
a stylish pair of italian white-glazed urns with over-scaled flared reticulated neck over a bulbous mid-section with raised foliate decoration; raised on a splayed base resting on a black lacquer wooden plinth; excellent vintage condition with custom wooden base; rewired
the well-crafted leaf of thick copper with fine veining and curled edges raised on a cluster of rings; some wear to surface.
the rectangular hinged top of well figured burlwood above a conforming body of similar veneer; with elongated hexagonal nickel plated handle.
the bulbous oil spot vase of translucent apricot color; minor wear to underside.
a pair of Maurizio Tempestini (Italian, 1908-1960) mid-century modern alabaster table lamps in a sculpted flame design of polished white alabaster with veins of black; raised on oval ebonized wooden bases; good vintage condition with minor chipping; professionally rewired and bases re-painted
Peter Hamlett (American 1919-1972) signed Oil on Board, dated 1966 verso; the lush impressionist style still life painting with thick broad brushstrokes depicting a tablescape setting with a copper pot, various vegetables and a bottle of wine; signed lower left and verso and titled 'Staff of Life' Laguna Beach 1966; Born in 1919 in Mokanshan, China during a time of political unrest, Peter Hamlett, a seascape painter, left China at age 18 when he graduated from Shanghai American School.
each bulbous urn with gilt perimeter bands with raised decoration all on a luminous white ground; excellent vintage condition with minor rubbing to brass mounts; rewired
each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.
each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll perimeter bands; craquelure to glaze; good antique condition; now mounted as lamps; rewired
each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic) 34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks
each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood) 29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina
a robust american 1960's baluster-form cork lamp with ebonized base and cap; rewired; shade as is
the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired
each incurved crest with greek key fret band above a padded back; over an upholstered seat flanked by downswept arms; raised on gracefully splayed legs ending in bronze spheroid feet; new leather upholstery; fully restored condition.
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
each finely rendered lithograph of various French aircrafts of the 1930's with identifying script; used for french airplane engine marketing material; later mattes and mahogany veneered frames
the domed lid with one seated and one standing rabbit with inquisitive gazes; resting on a circular basket-weave bowl; minor wear; excellent condition.
the tall back with dramatic arching crest above a serpentine seat flanked by padded arms all above a scalloped apron raised on cabriole supports; excellent restored condition.
