the portly jug fitted with two handles below a large pouring spout; overall wear, pitting, indentations and patina
A pair of Royal Crown Derby vases ca. 1893 having relief gilt floral and fruit motif encircling the bodies with Art Nouveau pattern at the flared necks, all on a pink ground; each having an iron red overglaze Derby Crown mark with interlacing D's above cypher indicating year 1893; gentle wear commensurate with age including slight wear to gilding; one minuscule fleabite at lower edge of one vase; slight crazing along bottom edge of one vase.
of stylish mid-century design in the manner of Tommi Parzinger, with ivory-glazed oblelisk-form base emanating two deeply scrolled brass arms supporting candle form socket holders; centering a cylindrical brass rod and finial; all atop a black marble base with white veining; 18.5" (top of ceramic) 35: (top of shade); good vintage condition with light overall wear; minor pitting to brass; professionally rewired.
great statement lamps with long flaring ceramic neck above a spheroid cork body resting on a similar ceramic base; good vintage condition with overall even wear; no chips or cracks to ceramic; rewired
each with central glass support surrounded by two tall opposing leaves of translucent gold aventurine glass all raised on a thick gold bullicante disk over a later Lucite base; height: 16.5" (top of glass) 27.5" (top of shade); good vintage condition with no chips or cracks; professionally rewired; later Lucite bases
the majestic rooster with turned head and direct gaze below a proud comb all above a robust body of well-delineated plumage with feet firmly planted in a grassy ground; covered overall in rich glazes of cobalt blue, crimson, teal, black and sienna; good overall condition with no cracks; minor flaking to glaze
surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface
each of simple cylindrical form covered in a mottled celadon green glaze; with custom giltwood bases and gilt-metal caps; 17.5" (top of vase) 28.5" (top of shade); good vintage condition with minor wear; the vases now drilled and mounted as lamps; rubbing and patina to gilding
each hour-glass shaped walnut lamp with three brass bands and waist; patination to brass; rewired; new shades 'as is'
high quality antique hand-forged andirons having barley twist shafts topped with gadrooned brass finials all raised on a scrolled openwork base; good antique condition with nice overall patina and wear
this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base
each bulbous lamp with glass encased gilded surface adorned with rococo figures; excellent condition; rewired; lampshades as is.
the oval plate within a punched iron border surrounded by a sloping openwork frame of graceful s-curves; excellent condition
each of decanter form with long flaring neck above a compressed spheroid body; all in a graduated yellow-to-green clear glass infused with large bubbles; excellent vintage condition with no chips or cracks; rewired
each portly lamp with horizontal banding; raised on a tole base; excellent condition; some soiling to original shades.
each ovoid lamp of impressive size with ribbed neck above a tapering body; all in a rich drip glaze of celadon and pale blue; excellent vintage condition with no chips or cracks; rewired
each boldly-shaped ovoid-form lamp of richly-colored turquoise crackle glaze; fitted with wooden caps and bases with brass fittings; excellent condition; one lamp of slightly darker hue; made by Frederick Cooper Lamp Company, Chicago (established 1923)
each bulbous lamp with frosted overlay on a clear gold ground; the frosted glass finely etched exposing the gold luster glass beneath cresting a perimeter band of classical figures; raised on giltwood bases; height: 13" (top of glass) 24.5 (top of shade); minor wear and rubbing to glass surface; no chips or cracks; professionally rewired
each striking lamp with long flaring neck above an ovoid body decorated with ivory, brown and ochre perimeter stripes on a mottled pumice-colored ground; resting on splayed walnut bases with brass caps; height: 21.25" (top of ceramic) 34" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired; no chips or cracks
each of campagna form with everted lip tapering to a compressed portly body all over a square plinth; adorned with ebonized highlights; 18.5" (top of wood) 29.5" (top of shade); professionally rewired; good vintage condition with minor wear and nice warm patina
This Impressive, 18th Century, French Régence Ormolu-Mounted Rosewood & Kingwood veneered Commode retains it’s original hand chiseled serpentine front rouge marble-top. This Régence Commode has five drawers with herringbone, and crossbanded inlaid rosewood and kingwood parquetry retaining its original Gilt-Ormolu and Gilt Hardware. Mimicking the bottom two rows of drawers is the top row consisting of two drawers flanking the faux center with escutcheon fabricating the look of a three drawer commode.
of good scale and proportions, each with scrolled crest with sloping arms ending in inwardly scrolling terminals; flanking an upholstered loose cushion seat above a carved apron; raised on turned tapering and fluted supports; good antique condition and structurally sound; professionally refinished and reupholstered
each tall vase with long flaring neck above a bulbous body; the white vase encased in a yellow cased glass; excellent condition with no chips or cracks.
