in the Neoclassical taste, each well-constructed, custom made cabinet with satinwood and mahogany veneers and exotic wood inlay; centering a single curved door opening to an interior shelf; the tops adorned overall with radiating fan decoration within a scalloped inlaid border; the sides with intricate urn-form marquetry panels and crossbanding; all raised on square tapering supports; good condition with professionally restored finish; minor veneer replacements
with giltwood neck above a turned columnar body of nicely figured Carrara marble all over a giltwood base; good vintage condition with minor chipping to edges; re-wired; neck and base re-gilded
each half-round moulding with floral and foliate carved reserves surrounding a beaded inner slip; with later antiqued plates; rubbing to gilding.
The exuberantly carved openwork crest composed of dramatic interlacing C-scroll motifs with floral and foliate elements cascading down the sides; all surrounding the original beveled mirror plate within a relief-carved molding; warm patina and rubbing to water-gilded surface; areas of refreshed gilding; with some professional repairs to frame
each with ruffled lip above an ovoid body over a splayed base; painted overall with brightly colored floral decoration; some wear to surface
the open cartouche-shaped back with elaborately carved vasiform splat profusely carved with rocaille, C-scrolls and floral motifs above a drop-in seat with mohair upholstery; flanked by supported S-scrolled arms with lively floral carving; the seat rail with carved fretwork design; all raised on similarly carved cabriole legs ending in a trifid pad foot; finish professionally refreshed; new mohair upholstery; good antique condition with even wear and patina
with goose neck pediment above a glazed cabinet resting on a base fitted with a single drawer over two doors; nicely decorated overall with various scenes; areas of refreshed gilding and paint; good antique condition
each with flared ceramic neck above a gadroon-form body; raised on faux bois metal bases; excellent vintage condition with no chips or cracks; rewired
with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate
the circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman God and putto; with Antonio's Antiques retail tags; good antique condition with small veneer repairs and overall warm patina; later stand with elegant splayed supports joined by a curvaceous stretcher
each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.
the shaped faux marble top above a bombe-form case fitted with 2 drawers over 2 doors all raised on cabriole legs; the whole painted with foliate vines and floral garlands on a muted butter-yellow ground; refreshed surface with overall even wear
each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases
the tall and striking ribbed art glass lamp of conical form in luminous smoked glass all resting on a brass base; Empoli is known as the other Italian mid-century glass. Simpler in design than their Murano cousins, the simple traditional styles of Empoli glass were quickly adapted to the sparse abstract shapes of mid 20th century modernism. The vast majority of mid century-styled Empoli glass was made for the American market; height: 21.25" (top of glass) 32" (top of shade); good vintage condition with no chips or cracks; professionally rewired; even wear to re-painted base
each of graceful form with long cylindrical neck above a bulbous body; the whole adorned with applied striated decoration in a graduated color pattern from white to aqua; resting on brass canted bases; height: 17.25" (top of glass) 28.25" (top of shade); good vintage condition with no chips or cracks; some imperfections in glass inherent in the glass blowing process; some pitting to brass; professionally rewired
each colorful bottle-form lamp adorned with painted circles in soft colors of blue, green, peach and yellow with a gold swirl overlay all on an ivory glazed ground; supported on brown painted metal bases; height: 23" (top of ceramic) 33.25" (top of shade); good vintage condition with minor rubbing to surface; professionally rewired
the arbalete top with perimeter stringing within a crossbanded border all above a shapely bombe-form body with similar stringing and crossbanding; fitted with two long drawers having openwork solid brass pulls; the whole raised on graceful cabriole supports; overall even wear and nice warm patina; good vintage condition; professionally refinished
each clear glass cylinder adorned with applied bamboo branch work; excellent condition; rewired
the shaped lacquered antique tray (circa 1890) with Chinoiserie decoration centering a floral bouquet surrounded by birds and butterflies; raised on a faux bamboo gilt metal stand (circa 1940); good condition with crackling to lacquer and overall even wear and patina
each tall and finely crafted fluted bronze hall tree adorned with finely detailed gilt-bronze neoclassical decoration with berry finials, bows, ribbons, and tassels centering a trophy with lyre; the dramatic medusa mask emanating writhing snakes (for coats) with coiled snakes further down the shaft (for umbrellas); all over a square openwork base; purchased in 1994 from Leah's Antique Gallery, New York City (receipt attached); in good antique condition with minor wear to gilding and bronze; some oxidation to bases
Excellent vintage condition with no chips or cracks; Königliche Porzellan Manufaktur, or KPM (established 1723) was a fundamental part of the landscape of the European decorative arts in the 19th Century, and was, and still is, one of the most prolific producers of luxury porcelain
the porcelain column wrapped with metal wire above a porcelain crackle-glazed orb; all raised on a black and gold painted base; patination to metal; excellent condition
each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina
a handsome hand-crafted vintage American half-hull wooden boat builder's model constructed of laminated mahogany and maple in a warm honey-toned patina; within the original wooden frame with later black leather backing; the half-hull models were used to commemorate the launching of a vessel and given to the owner, or may have be been used by the builder as a sales tool to show prospective customers; hull measurement: h 6" w 29.5" d 4"; good vintage condition with minor overall wear and patina; with some indentations to frame and hull
