the circular padded back with floral carved crest rail above padded arms over s-scrolled supports; joining a generous bowed seat and apron with foliate carving; raised on turned fluted supports; overall even wear and rubbing to refreshed paint and gilding; with new puddy-colored boar skin upholstery

in the neoclassical taste decorated in a silver and gold leaf finish; the reeded central support joined at the mid-section with a gadrooned sphere and acanthus leaf collars all above a tapering reeded base ending in a berry finial; emanating six scrolled gilt-iron candle arms supporting beaded bobeches; overall even wear and patina to new gilded surface; in good working order

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced

each custom made chair by Lx Rossi with in-curved sloping back cascading down to outscrolled terminals; flanked by a bowed loose cushion over a plain frieze apron all resting on tapering turned supports; the frame veneered in a taupe-colored shagreen; excellent condition; newly upholstered

each of graceful art deco design with gently incurved upholstered back flanked by padded arms joining conical terminals; all above a tight seat raised on tuned supports; good condition professionally refinished and reupholstered 

 A tall and striking American 1960s handblown apple-green decanter by Joel Myers for Blenko Glassworks; the bulbous shaped body with long neck of heavy handblown glass fitted with a 
an iconic airtwist Sommerso style stopper; with fire pontil mark to underside; good vintage condition with no chips or cracks
see similar example: https://attic.city/item/MJx2/blenko-6716-decanter-by-joel-myers-in-teal-...

in a deep brown lacquer finish; the openwork lattice back and sides flanking a tight seat; with sloping arms joining a channeled apron all raised on gently splaying supports; good vintage condition; professionally refinished a reupholstered

of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric

a robust american 1960's baluster-form cork lamp with ebonized base and cap; rewired; shade as is

the baluster-form lamp of translucent frosted glass raised on a giltwood base

the ribbed lamp of silver aventurine glass; excellent condition with no chips or cracks; rewired

each of thick aubergine glass with gold inclusions over a lobed base; rewired

each large-scaled urn with sweeping flared neck tapering to a flared foot; now drilled with later wooden mounts

Each tall beveled mirror obelisk resting on a square stepped mirrored plinth; no chips or cracks, excellent condition. 

excellent condition; rewired

each of columnar form resting on a square base; originally fitted with a kerosene receptacle; excellent condition; external French wiring 

each bulbous lamp of white cased glass fitted with a walnut neck and base; good vintage condition with minor wear; re-wired

minor wear to honed surface; new wiring; shade as is; French wired

of impressive scale, the orb-form lamp of mercury glass fitted with an ebonized wooden cap and base; good vintage condition with age to silvering; re-wired

each shapely lamp of hand-blown sky blue dappled glass all raised on a brass and lucite circular base; professionally rewired; good vintage condition with minimal wear

a large and well-executed pair of rococo style 4-arm candelabra with trefoil-shaped baluster stem supporting a single candle cup; all resting on a six-footed splayed base; the four double-modeled candle arms supporting tulip-shaped cups on circular bobeches; adorned overall with meandering floral vines, foliate scrolls and rocaille motifs; with underglaze blue maker's mark; excellent vintage condition with no apparent chips or cracks

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.