manufactured from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a round dish top top all raised on three cylindrical supports. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary. Custom quotes available 

an impressively designed game table featuring a pivoting handkerchief top opening to reveal an intricately inlaid surface centering a removable center panel with game board and hand-tooled green leather surface on the flip side; resting on a body with openwork arabesque spandrels ending in splayed supports all joined by a lower shelf; the whole intricately inlaid with geometric designs and motifs; professionally restored with replacements to inlay; refinished

each large lamp of bulbous form with long everted neck above on ovoid body raised on a brass base; all in a swirling silver and gold faux marble glaze; excellent vintage condition with minor wear; patina to metal bases; rewired 

with deep brown lacquered finish, the tall graduated caned back above a loose cushion flanked by down-swept arms all over splayed legs; The Grand Ledge Chair Company was founded in 1837 in Grand Ledge, Michigan,  as a small furniture shop by Thomas Garrett, Harry Jordan, and Edward Crawford. It remained a family run business until 1973, when the business was sold and eventually closed in 1981; professionally refinished with newly upholstered seat

this explosive brutalist iron nail sculpture contrasting the cold black steel iron nails and the warm buffed-brass brazing combing artistic design, geometric form and the high quality of the braze; excellent vintage condition with no visible condition issues, signed by the artist

the rectangular carved frame in the neoclassical style of overlapping laurel leaves and berries tied with ribbons all highlighted with acanthus leaves at the corners; refreshed paint and gilding; nice overall even wear and patina; age to original antique plate

each large glazed ceramic baluster-form table lamp on later lucite bases designed by Swedish artist Ingrid Atterberg as part of the "Spiral' series, circa 1949, with alternating ochre and white stripes on a matte brown ground; impressed marks to underside; Ingrid Atterberg (1920-2008) was born in the northern Sweden city of Harnosand. She studied at Slojdforeningens School in Gothenburg. Ingrid came to the Upsala-Ekeby Pottery factory in 1944, staying on until 1964.

attributed to Warren Kessler Lamps, New York est. 1939; each hand-blown columnar lamp of baluster-form with reeded shaft above a bulbous mid-section over a cylindrical pedestal and splayed foot; all resting on a gold painted metal base; each in a soft butterscotch cased-glass; height: 18.5" (top of glass); good condition with no chips or cracks; professionally rewired  

the rectangular hinged top of well figured burlwood above a conforming body of similar veneer; with elongated hexagonal nickel plated handle.

this large and elegant lamp with flared neck above a tapering body highlighted with gilt perimeter bands; resting on a reticulated brass base; excellent vintage condition with minor overall even wear; rewired

each in a rich egg yolk-yellow glaze with everted neck above an ovoid body with stylized laurel leaf perimeter band flanked by lions masks; all raised on a fluted splayed support resting on an ebonized wooden base; excellent vintage condition with no chips or cracks; wooden base refinished; rewired

each with flaring neck above a tapering body resting on a gilt-metal base; all in a soft translucent frosted glass highlighted with gilt perimeter bands; minor wear to gilding; excellent vintage condition with no chips or cracks; rewired; newly gilded bases

the hand-blown lamp of translucent pale blue glass with long neck above a bulbous body all raised on brass bases; excellent vintage condition with minor wear; no chips or cracks; some pitting to brass; professionally rewired

this beautifully decorated lamp of ovoid form finely painted overall with large floral stems in rich shades of blue, green and ochre all on a mottled pale blue ground; with subtle gilt decoration; artist signed and dated 1950; excellent vintage condition with no chips or cracks, rewired; with custom giltwood base

each with long neck above a bulbous body; adorned overall with a gold and white mottled surface with applied colorful flecks in red, yellow and green; excellent vintage condition with no chips or cracks; rewired; nice patina to brass bases

each with long flaring neck above a tapering body painted overall with stylized floral and foliate vines in colors of ochre and aqua with gilt highlights all on a white ground; raised on a water-gilded wooden base; signed 'Marbro Lamp Italy'; excellent condition with no chips or cracks; re-wired; some rubbing to gilding

with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate

a true time capsule of 1961, the 3-dimensional plaster negative relief plaques depicting a golfer, bowler and tennis player all engaged in their sport and all from the perspective of being in front of the player; each inscribed '1961 RICHTER'; Hal Richer ( German-American 1888-1976) an artist and filmmaker known for his contribution to the Dada movement. Settling in the US after fleeing Nazi Germany, spending his later years in Connecticut; good vintage condition with some small chips to edges; some rubbing to surface

each of chic Italian design with arbalète crest rail above an openwork splat joining an upholstered seat; raised on gracefully splayed supports; professionally refinished; minor wear to surface; reupholstered 

the thick oval glass top with ogee edge resting on a conforming neoclassical style brass base raised on four columnar supports terminating in hoof feet all joined by incurved perimeter stretchers; good vintage condition with minor pitting and patina; sturdy frame; no chips or cracks to glass with some wear to surface 

the square game table with 'floating' top of radiating oak veneer; above an ebonized body fitted with two drawers with oak secondary wood; raised on tapering, stepped quadrangular supports; each barrel-back chair with incurved back and downward sloping arms flanking a tight seat; all raised on tapering legs; professionally refreshed surface; good vintage condition with sturdy frames; reupholstered

the long seat of slatted wood flanked by incurved arms with ball-form handholds; raised on a folding scissors double base; the term Savonarola derives from the chair on which the Savonarola used to sit in the convent of San Marco in Florence. The chair is named for the Italian Renaissance religious zealot Girolamo Savonarola; wear and patina to surface; movement to hinged frame; 2 ball-form handles replaced