Made from Belgian bluestone with a honed finish and embedded with fossils, the table is comprised of a thick round top with dupont edge and baluster-form support on an octagonal plinth. New with only minimal wear expected; table is ideal for exterior design projects. Due to the custom nature of each table, the fossil pattern will vary.

each heavy candle holder surmounted by a shallow candlecup with flared lip raised on a gadrooned support above a ring of stylized leaves; all over a cylindrical base adorned with applied bosses flanked by opposing birds all ending in a splayed foot; good vintage condition with overall even wear and patina 

a collection of four 1950's educational posters from the Research and Information Department at the Ford Motor Company, Dearborn, Michigan; each depicting the origin of measurements: a yard, foot, inch and fathom; excellent vintage condition with good clear colors; each with new custom ebonized frame

the impressionist painting with thickly applied paint depicting sailboats at dock with dramatic cloud-filled sky; signed on front lower right; good clean painting with bright colors; in a carved giltwood frame; even wear to gilding;  panel: 13" X 19.5", overall: 20" x 26"

each with round beveled central plate within a scalloped mirrored frame of reverse-etched panels; label to back 'Uttermost';  good vintage condition with no chips or cracks; light wear to frame

characterized by its simplified, geometric forms, elongated facial features, and mask-like appearance it features stylized marquis-shaped eyes, a prominent nose forming a blade-like shape, and a small mouth, all over a long, cylindrical neck and square plinth; finely carved and finished from a block of rosso allicante marble; overall even wear with chipping to base  

the large crystal sphere resting on a classically-inspired bronze tripod stand adorned with rams head masks joined by swag festoons all ending in paw feet; all over a shaped stepped base; probably a marriage of the orb and base; overall patina and rubbing; glass orb is free of chips and cracks

Signed lower left; Paul Immel was born in Helena, Montana in 1864. Immel studied at the Ball School of Art in Minneapolis and in 1924 moved to Los Angeles where he further studied at Otis Art Institute, later moving to Seattle, Washington. Immel is known for his watercolor floral studies and was a member of the Puget Sound Group of Northwest Painters and the Northwest Watercolor Society; excellent condition with nice clear colors; some wear to blonde-stained wooden frame

each square tapered column of well-figured rock crystal, having four sides and a pyramidal top; resting on a lacquered base; good antique condition with no chips or cracks to crystal; some lifting to veneers on bases. 

Rock crystal is the purest variety of Quartz and is transparent and colorless. Its name derives from the Greek term krustallos meaning 'ice' and is the sister gemstone to colorful varieties of quartz, such as amethyst and citrine. 

each with square top above a square pedestal with inset reserves; chipping and overall weathered patina

the large ovoid vase tapering to the base; the textured finish in black and white glaze with vibrant red streaking around the body; minor wear.

the Vizagapatam casket-form tea caddy in the Regency taste, the exterior veneered with sections of antlers, with a carved knob and bun feet; the hinged lid opens to reveal an interior fitted with a pair of tea compartments with hinged covers, the fittings decorated with penwork detailing; good antique condition; mixing bowl now lacking; working key and lock 

Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen; the beveled mirror plate within a giltwood frame surrounded by a chamfered mirrored border of eglomise panels; good vintage condition with no chips or cracks to glass; later beveled plate; overall even wear and rubbing to giltwood frame 

the well-crafted leaf of thick copper with fine veining and curled edges raised on a cluster of rings; some wear to surface.

of warmly patinated cherrywood, the circular top above a deep apron fitted with a single drawer; all raised on turned supports joined by a shaped x-form stretcher; excellent antique condition; professionally polished

each with arbalète-form crest above an incurved upholstered back over a loose cushion seat; flanked by upholstered arms all raised on gadrooned uprights and legs; professionally reupholstered and refinished; good overall condition

consisting of three pivoting, centrally-joined upright turned supports capped with brass melon-form bosses and fitted with brass coat hooks; all joined by a detachable lower circular dish for umbrellas; good antique condition with overall even wear and patina

the rectangular sandalwood box veneered in water buffalo horn with sloping top centering a lotus flower form finial; all raised on turned horn feet;  warpage to lid; lacking key

Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane at the Art Students League in New York, he took up photography during World War II in Provincetown. His photographs were published by Time Magazine, the New York Times and the Associated Press. Seven of his photographs are included in the Smithsonian’s permanent collection.

in the neoclassical taste decorated in a silver and gold leaf finish; the reeded central support joined at the mid-section with a gadrooned sphere and acanthus leaf collars all above a tapering reeded base ending in a berry finial; emanating six scrolled gilt-iron candle arms supporting beaded bobeches; overall even wear and patina to new gilded surface; in good working order

with arching openwork top above a square-form body tapering to a foliate pendant knob; good antique condition; rewired with 4 standard sockets; later solid brass bobeches

the circular tabouret with new decking above a rope-twist gilwood frame with cabriole supports with knotted feet all joined by an x-form stretcher centering a robust central knot; gilding refreshed; nice patina with overall even rubbing; structurally sound frame; new leather upholstery .Seat furniture carved in this manner is generally associated with the Parisian upholsterer A.M.E. Fournier, who supplied at least one carved rope stool to the Musée National du Château de Compiègne.

of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with a central curved rectilinear leg; excellent antique condition; professionally refinished; newly upholstered in a butter-yellow linen fabric

good quality reproduction with framed cartouche-form back above a loose cushion seat flanked by scrolled padded arms; above a shapely apron all raised on cabriole supports; good vintage condition with strengthened frame and new upholstery