a wonderful period English George III hand-carved tilt-top supper/tea table with shell and leaf carved top with circular reserves, over a turned baluster support issuing three downswept legs terminating in ball and claw pad feet; the English supper table became popular during the reign of King George II and continued into the late 18th century; repair to edge of top; refinished surface

with a large foliate spray crest above an openwork frame consisting of floral and foliate vines, C-scrolls and acanthus leaves; shipping import label on reverse for Antonio's Antiques, San Francisco; good antique condition with overall even rubbing; later mirror plate

A Boldly Rendered Pair of French Art Nouveau Prints of Architectural Interior and Exterior Details by Ernest David; newly matted and framed.

the lovely scene of 4 boys engaged in racing pond boats; as published by the Salon de Paris; plate impression around the image; new giltwood frame.

a handsome pair of framed sea charts of the coasts of Great Britain by Captain Greenvile Collins; minor foxing; with later matte and ebonized wooden frame
London, 1781

each striking lithograph with classical figures at various pursuits on a black ground; later ebonized frames and slips with hand-wrapped linen mattes.

with rectangular shelf above a dramatically scrolling body adorned with an over-scaled acanthus leaf ending in a scrolling volute; patination to gilding.

each half-round moulding with floral and foliate carved reserves surrounding a beaded inner slip; with later antiqued plates; rubbing to gilding.

the cartouche-shaped mirror within an elaborate giltwood frame of C-scrolls, rocaille, and floral carving; good antique condition with refreshed gilding; overall even wear

designed in the Regency taste from Vizagapatam, India, the two sarcphogus-shaped sandalwood boxes with hinged lids adorned with fine penwork detailing; good antique condition with overall even wear and patina

with short flaring neck above a voluptuous body over a flared foot; excellent condition.

this peaceful pastoral scene at dusk of a shepherd and his sheepdog returning their flock to the stable; Reuben LeGrande Johnston (1850-1918), was born in Alexandria, Virginia. Best known for his landscapes with animals, he was well-traveled, visiting France, Spain, England, Tangiers and Morocco. He also traveled to the American west, notably Cheyenne, Wyoming. He was a member of the Society of Washington (DC) Artists, where he exhibited, in addition to the National Academy of Design; some discoloration to paper; newly matted and framed

the hinged circular top centering a beautifully inlaid checkboard on one side flipping to reveal an inlaid Parcheesi (Ludo) board on the reverse; raised in 4 dramatically incurved supports joined by a lower shelf fitted with a hidden compartment for game pieces; professionally refinished with minor warpage to top; Parcheesi is based on Pachisi, originated in India around the 4th century A.D. Its popularity headed west in the 1860s, first traveling to England, which had taken over rule of India from the British East India Company in 1858, and then further into Europe. 

this large ribbed and cylindrical Japanese shell-game box with domed lid decorated overall with Maki-e (gold lacquered) foliate wreaths and stylized flower heads and incised brass mounts; raised on four splayed supports; good overall antique condition with even wear and rubbing to surface; some touch-ups to areas of missing lacquer; minor crack to underside of lid and inside bottom; now lacking rope.

the cylindrical lidded jar adorned with lively relief decoration of foliage and mythological figures surrounding the greek god eros; excellent condition.

the shaped back board joining a square hinged lid over a conforming tapering body with inlaid fork and knife on the front; age to leather hinge; minor wear overall.

with solid brass tilting barrel resting on a heavy weight carriage with working wheels; finely and realistically decorated; excellent antique condition with overall even wear and patination

perfect for the foot of a bed; the shaped padded seat above a scalloped apron raised on graceful cabriole supports; adorned overall with rocaille and shell carving; overall even wear; excellent restored condition; newly upholstered

the framed cartouche-shaped back above a serpentine seat flanked by scrolled padded arms; the scalloped apron with rocaille and foliate carving all raised on cabriole supports with incurved feet; restored with new upholstery.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to.

the lively capital with outscrolled acanthus leaves all resting on a separate wooden base; excellent condition with later base

Bill Stanisich first encountered England’s Lake District through the poetry of Wordsworth and Coleridge. Upon visiting the area in the 1990's, Stanisich was stunned by the beauty and dramatic light, and the ever-present and often foreboding clouds. In these paintings, he was attracted to the play of light and shadow on the water - a theme he has often returned to

surmounted by a rocaille openwork crest above an oval frame adorned with foliate carving with exaggerated c-scrolls at the sides with a foliate pendant at the base; with later antique beveled plate; some re-glued elements; overall even wear to refreshed gilded surface